Radical recurrences & rancorous requests raze my daze.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Beyond all human restraint lies one's lugubrious layers of paint.
Hiding inside&out, writhing about, taken out&in.
Return to 'burn' only to find out you're already in that urn.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Rather pointless, rather stilted, fetid; not what we want us going after.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Onward, upward, greener [redder] grasstures.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
1 minute experimental film.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
A psychedelic montage of home movie footage gives way to a silent western story.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
I really hope this is well-received. I really hope there's some sort of reprieve.
No overview available.
From the Maroon village of Malobi in Suriname, South America, this single-take film offers a strikingly contemporary take on a Jean Rouch classic. It’s Halloween at the Equator, Andrei Tarkovsky for the jungle set.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Trailer
No Cast found.
