Radical recurrences & rancorous requests raze my daze.
I really hope this is well-received. I really hope there's some sort of reprieve.
Rather pointless, rather stilted, fetid; not what we want us going after.
Onward, upward, greener [redder] grasstures.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Hiding inside&out, writhing about, taken out&in.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Return to 'burn' only to find out you're already in that urn.
1 minute experimental film.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Beyond all human restraint lies one's lugubrious layers of paint.
A psychedelic montage of home movie footage gives way to a silent western story.
No overview available.
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.
No Cast found.
Trailer
