I really hope this is well-received. I really hope there's some sort of reprieve.
Trailer
No Cast found.
1 minute experimental film.
Beyond all human restraint lies one's lugubrious layers of paint.
Hiding inside&out, writhing about, taken out&in.
Rather pointless, rather stilted, fetid; not what we want us going after.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Radical recurrences & rancorous requests raze my daze.
Onward, upward, greener [redder] grasstures.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
A psychedelic montage of home movie footage gives way to a silent western story.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
No overview available.
"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
