Rather pointless, rather stilted, fetid; not what we want us going after.
Trailer
No Cast found.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
An experimental film that lifts the veil on the world of African American drag racing.
A woman returning home after having a sour day decides to sleep.
Cooper is given a decision that could help him finally make a difference or get him killed.
Hitiro the noble samurai serves the Emperor of Richmond, Virginia. After he refuses to enforce the Emperor's draconian tax policies, Hitiro is attacked by a jealous rival, who frames Hitiro for the murder of his wife. Hitiro escapes multiple ninja assassins, and seeks to begin a new life at a peaceful, rural village under the alias of "Hitiro the peasant." But can Hitiro outrun his past? Can he deny his burgeoning feelings for Ikama, daughter of the village headman? And can he save his new home from the wrath of the Emperor's soldiers?
A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
No overview available.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
At the beaches of Aracaju(Brazil), popsicle sellers believe in the myth of a girl dressed in white called Eva Maria.
A man tries to track down a potential love interest on a crowded train using a smartphone app.
Five suburban youths embark on a night of violence in the city, attacking unsuspecting victims while recording the assaults on smartphones.
A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
The Academy of Arts in Hamburg destroys all art and all artists. It seems as if a military unit has lined up for the final solution, it looks as if the whole of mankind has been assigned to carry out the liquidation of art. Is art dead? Yes. Art is definitely dead. All that is left to a human being is his 'I'.... - Vlado Kristl
A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath and talks to him as he soaks. He locks his guest in a bedroom. Next day, the skinhead leaves through the window and visits his sister, who's making a film called "Sisters of the SLA." He helps with a screen-test. The hairdresser has dreams and fantasies involving the skinhead, the skinhead returns to visit him, and then the filmmaker pays a call on the two men, exposing her brother as faking his silence and pretending a lack of sexual interest. Fantasies can come true.
