Onward, upward, greener [redder] grasstures.
No Cast found.
Trailer
A psychedelic montage of home movie footage gives way to a silent western story.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
Hiding inside&out, writhing about, taken out&in.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
1 minute experimental film.
Return to 'burn' only to find out you're already in that urn.
Beyond all human restraint lies one's lugubrious layers of paint.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Radical recurrences & rancorous requests raze my daze.
I really hope this is well-received. I really hope there's some sort of reprieve.
Rather pointless, rather stilted, fetid; not what we want us going after.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
No overview available.
Say Om as you reach home only to realize you never really left/stopped saying Om.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
