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Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
Document about the experiences of peasants from the first joint harvests of the unified agricultural cooperative in Vinařice.
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Promotional film about the benefits of joint farming in unified agricultural cooperatives in Slovakia.
Agitka about a peasant who joined a unified agricultural cooperative when he became convinced of the benefits it provides.
Mr. Prokouk postpones the filming and decides to leave for the agricultural brigade.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.
The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.
Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.
Douglas Trumbull does a true deep dive into the making of the movie.
Twelve young filmmakers made this the guiding principle of the featured documentary film. They mingle amongst the demonstrators on Independence Square and in the Donetsk region, shooting a "Chronicle of Civil Protest", a kaleidoscope of voices, opinions and events which bears witness to the circumstances surrounding solidarity and struggle. The viewer observes the Ukrainians at first hand, experiencing how a hard-pressed society becomes more militant and slides ever deeper into the abyss of civil war.
A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.
February 2022. Russia invades Ukraine, a war that brings back dark memories and tragic lessons from World War II. Ariane Mnouchkine, the founder of the Théâtre du Soleil who was born when war was declared in 1939, was in shock. For her, going with part of her troop to Ukraine is above all a message of solidarity and gratitude towards this people of resistance who are fighting both for their freedom but also for that of Europe. The desire of Ariane Mnouchkine and her actors is to find with Ukrainian artists, beyond differences of language and culture, a common and universal language: that of theater.
Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.
Commentary (voice)
