Members of an opera company performing Donizetti's "Lucia di Lammermoor" find their lives parallel those of the characters.
Based on the tragic 1996 Mt. Everest disaster, the opera focuses on three climbers as they attempt the ill-fated summit. A new genre, the animated graphic novel puts you inside the pages as the tale drives on.
For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.
Miller’s daughter Zuzanka Vojířová, betrothed to Ondřej Zachar, hesitates before marriage when Lord Peter Vok of Rožmberk invites her to his castle. There she bears his son Petříček, but his wife hides the child. After Vok’s death in battle, Zuzanka is expelled and lives as a beggar, reunited with her son and former fiancé, finding solace in the continuation of the Rožmberk lineage.
Two men meet and confront each other over a woman. Visibly different in appearance, the two men engage in a continuous battle of nerves. While the woman steps out to use the restroom, the men go up to the rooftop and start arm wrestling.
The Queen of the Night has begged Prince Tamino to free her daughter Pamina from the clutches of the High Priest Sarastro, who has abducted her. Together with the bird-catcher Papageno, Tamino enters Sarastro's realm to seek her. When he finds her, the two fall in love, but they have to have to undergo ordeals before they can be together. At the end, Papageno is also rewarded with his Papagena.
Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.
In honor of Leonard Bernstein’s 100th birthday, Tanglewood—the famed summer home of the Boston Symphony Orchestra—dedicated its entire 2018 season to the iconic composer, conductor, performer, educator and humanitarian. The festivities culminated on Bernstein’s centennial birthday on August 25, 2018, in a special celebrity-studded gala concert. Directed for the stage by James Darrah, The Bernstein Centennial Celebration at Tanglewood illuminates the breadth of Bernstein’s incredible life and career, which inspired generations of music lovers around the globe – from his talent as a composer to his generosity in mentoring other composers and musicians, his inimitable role as a driving musical force at Tanglewood for over 50 years and more.
Bohuslav Martinů's Greek Passion, which outlines a serious, very topical problem today, which is the position of refugees in a foreign, often hostile environment, is among the composer's most important works in terms of both ideology and art. The English libretto was based on the novel "Christ Recrucified" (1951) by the Greek writer Nikos Kazantzakis, which takes place in the first decades of the 20th century in the harsh Greek countryside.
The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only he can, combining vocal fireworks, personal charisma, and charm. The enchanting production by Nathaniel Merrill, with designs by Robert O’Hearn, is the perfect setting for Nemorino’s quest to win the heart of beautiful Adina, sung by the sparkling Judith Blegen. Brent Ellis as Belcore and Sesto Bruscantini as Dr. Dulcamara round out the all-star cast. Nicola Rescigno conducts.
Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare.
This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.
No overview available.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
Olga Neuwirth, for a long time one of the great composers of the present, succeeds with this opera in creating a captivating arc across many musical genres. It’s an exciting, socially critical production by Polly Graham who puts a fantastically singing and playing Kate Lindsey in the center of the action.
Opera based on the story of Edward II and Piers Gaveston. Music by George Benjamin, libretto by Martin Crimp. BBC broadcast of the 2018 premiere at the Royal Opera House, the composer conducting, prefaced by commentary and interviews.
Hans Werner Henze’s “The Raft of the Medusa” is directly inspired by Théodore Géricault’s famous painting. The German composer sets to music the fate of 150 people who have been shipwrecked and abandoned to their destiny. This is a radical work that fluctuates between hope and inevitability, agony and sudden bursts of life. The Raft of the Medusa is an oratorio that was first performed in 1968. Fifty years on, the Italian director Romeo Castellucci underscores its immense modernity, drawing a striking parallel between Hans Werner Henze’s work and the current migrant crisis in the Mediterranean.
La cambiale di matrimonio, farsa comica in two acts to a libretto by Gaetano Rossi, was first produced at the Teatro San Moisè, Venice, on 3 novembre 1810. The singers at the first performances were Domenico Remolini (Norton), Clementina Lanari (Clarina), Luigi Raffanelli (Tobia Mill), Tommaso Ricci (Edoardo), Rosa Morandi (Fanny), Nicola de Grecis (Slook).
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
Kate Ashton 'Lucia'
Norman 'Normanno'
Raymond 'Raimondo'
Oliver Hickox 'Arturo'
Hamish Ashton 'Enrico'
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