Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
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A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
Our plasticine pooch pal Rex welcomes us to his world, introduces us to his friends, and illustrates how Bad Bob caused dinosaurs' extinction (whoops!)
Our plasticine pooch pal Rex welcomes us to his dreamworld.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
Following a pandemic, the irreducible spectators of the Cinémamecque are forced not stay in their favorite cinema. The director of the Cinémamecque decides to keep his moviegoers inside the theater, in quarantine. These confined cinema-goers, tested negative, are determined to take advantage of the new confines that projection allows them. What if the cinema was a drunken boat of new horizons?
Based on Victor Hugo’s masterpiece, Arnold Burovs tells us Cosette’s story. The young girl works harder every day and does not have time for any fun.
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
A statue of 'The Happy Prince' (happy because he had devoted his life to pleasure behind his palace walls) looks out with horror at the destitution of his citizens. He persuades a little swallow to abandon his winter trip to Egypt and be his messenger, a job which entails stripping the statue of its precious jewels and gold to help feed the poor. Winter sets in, the once sparkling statue now looks grey and crumbling.
Laid-off old mannequins spend their cracked and broken lives in an old, abandoned warehouse. New mannequins are brought to the warehouse. They are old as well, but from a younger generation. The two groups must live together, but it's not easy at all.
A couple of robbers flee from the police after robbing a bank. Their car breaks down and they are picked up on the road by three touring musicians in their van. They stop in a forest for the night and decide that each musician has to tell a horror story by campfire light. The one who tells the bloodiest story will stay alive.
In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.
Astrid lives torn between two worlds: a boundless, sterile office and a desolate blue realm composed of trash she struggles to recollect. When she finds a door to her childhood bedroom, she feeds what’s left of it to her only friend, Crow, who wonders how much longer she can live in these fragmented realities.
A documentary about an old animation technique and the film studio that tries to carry on the legacy. The worlds oldest animation studio still making film with stop motion technique is Nukufilm located in Tallinn, Estland. Here we can follow the work in the studio which was founded in the Soviet era and has survived heavy censorship and global competition.
A knight framed for a tragic crime teams with a scrappy, shape-shifting teen to prove his innocence.
Nyosha is a ten year old girl. She dreams of buying a pair of shoes during the reality of a pitiless war. She believes that because of her shoes, she will stay alive.A range of animation techniques brings together the dream and the reality and tells Nyosha's story.
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