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Ela mesma
Ele mesmo
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Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.
Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.
Luca, a young photographer, arrives in a village in Asturias to work on an artistic project. There, he stays with Xuan, an experienced cheesemaker who is marked by a past full of rumors and prejudice. Through Luca’s camera and Xuan’s craft, the two discover unexpected connections in an intimate encounter between two seemingly opposite worlds.
Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.
The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.
Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.
Stop-Motion with flowers representing the various cicles of existence.
