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"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.
In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.
Short documentary about the lives of three girls and the women who rescued them from retrogressive cultural practices in their own Maasai community at the AIC Girls School and Rescue Center in Kajiado, Kenya. It is an intimate portrait of these women as they sacrifice everything to make a stand against female genital mutilation and early forced marriage happening within their own culture.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
Social media superstar Qandeel Baloch pushed boundaries in conservative Pakistan like no other. In 2016, high on her newfound celebrity, Qandeel exposes a well-known Muslim cleric – with tragic results.
On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?
Documentary on the work of the Garda Síochána to combat anti-social behaviour on the streets of the capital. We hear the stories of victims of verbal and physical abuse.
Filmed in a refuge for abused women, Break Free shows the courage of these women, most of whom tell their story openly to the camera. The film chronicles the shelter’s ups and downs, its dramatic and happy moments, and at its heart we get to know the residents and workers of the L’Escale in Sherbrooke. Break Free was filmed over more than three months and reveals the immense wounds of these women and the great generosity of the ones who try to heal them.
Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.
In a tide oblivious to diversity, pearl oysters live under attack for not fitting into the standards and sizes. This is the story of how their pearls are born.
This documentary offers a rare look at domestic abuse through the concept of coercive control. With exceptional access to hearings in Poitiers, Colmar, and Paris, Karine Dusfour captures the first French trials to address this form of psychological violence. The film shows how coercive control traps partners through constant monitoring, a hidden terror affecting hundreds of thousands of women and children in France.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
This documentary by Léa Clermont-Dion and Guylaine Maroist plunges us into the vortex of online misogyny and documents hatred towards women. This bleak opus, reminiscent of a psychological thriller, follows four women across two continents: former President of the Italian parliament Laura Boldrini, former Democratic representative Kiah Morris, French actor and YouTuber Marion Séclin, and Donna Zuckerberg, a specialist in online violence against women and the sister of Facebook’s founder. This tour de force reveals the devastating effects such unapologetic hatred has on victims, and brings to light the singular objective of cyber-misogyny: to silence women who shine. Some targets of cyber-violence will crumble under the crystallizing force of the click. Others, proud warriors, will stand tall and refuse to be silenced.
In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.
Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.
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