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A group of people in a dystopian future is led through the last forest in existence. Plants? What were they again?
Sandy and Alejandra are two young women who live together with Lexa, an artist with a multiple personality who is preparing her new exhibition. however, the romance between these two personalities will be in danger, not only because of their inability to have physical contact but also because of the problems it generates for Lexa and the body they inhabit. therefore, Sandy and Alejandra must decide before it is too late.
Stop-Motion with flowers representing the various cicles of existence.
Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebrated film Megacities (1997), a visually refined essay on the hidden faces of several world "megacities" by leading Austrian documentarist Michael Glawogger. Novotny complements 30 % of material taken straight from the film (and re-edited) with 70 % as yet unseen footage in which he blends original shots unused by Glawogger with his own sequences (shot by Megacities cameraman Wolfgang Thaler) from Tokyo. Alongside the Japanese metropolis, Life in Loops takes us right into the atmosphere of Mexico City, New York, Moscow and Bombay. This electrifying combination of fascinating film images and an equally compelling soundtrack from Sofa Surfers sets us off on a stunning audiovisual adventure across the continents. The film also makes an original contribution to the discussion on new trends in documentary filmmaking.
The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.
Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.
Douglas Trumbull does a true deep dive into the making of the movie.
Twelve young filmmakers made this the guiding principle of the featured documentary film. They mingle amongst the demonstrators on Independence Square and in the Donetsk region, shooting a "Chronicle of Civil Protest", a kaleidoscope of voices, opinions and events which bears witness to the circumstances surrounding solidarity and struggle. The viewer observes the Ukrainians at first hand, experiencing how a hard-pressed society becomes more militant and slides ever deeper into the abyss of civil war.
In September 1967, a premiere of theatrical historical significance took place in the Pest Theatre. It was the inauguration of the new theatre and the beginning of an unparalleled success story. The exceptional class and success of the production justified the fact that this time Hungarian Television did not record the production in the traditional way, in the theatre, but in a studio, also directed by István Horvai, which took several days to complete. This diary is the final self-expression of a repressed man on the road to madness, living without a chance of escape, locked in himself, hopelessly in love. Gogol reveals this psychological pathology with grotesque vision and clinical precision, yet every moment of it is deeply moving and human.
Novelist Sarah becomes a prime suspect in a homicide after a one-night tryst with a mysterious stranger who turns up dead at her summer home.
In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko.
A musical, and also a reflection on watching, on trying to escape an anthropocentric gaze and also on watching itself in cinema. Featuring mares and horses: Triana, Víctor K, Bambi Sailor, San Special Solano, Buck Red Skin, Onkaia, Cool Boy, the donkey Agostino, the mule Guapa. And also Alfredo Lagos, Raül Refree, María Marín, Pepe Habichuela, Virgina García del Pino, María García Ruiz, Pilar Monsell, María Pérez Sanz.
February 2022. Russia invades Ukraine, a war that brings back dark memories and tragic lessons from World War II. Ariane Mnouchkine, the founder of the Théâtre du Soleil who was born when war was declared in 1939, was in shock. For her, going with part of her troop to Ukraine is above all a message of solidarity and gratitude towards this people of resistance who are fighting both for their freedom but also for that of Europe. The desire of Ariane Mnouchkine and her actors is to find with Ukrainian artists, beyond differences of language and culture, a common and universal language: that of theater.
Sophie Calle often defines herself as a "narrative" artist. Her photographs are items of evidence through which she tells stories that are both ordinary and disturbing, using her own life and experiences as the raw material for reconstructions that hover somewhere between truth and fiction. The Contacts collection is an invitation to discover the artistic approach of the greatest contemporary photographers from an original angle. Through a series of images (contact sheets, proofs, prints and slides), with a commentary by the photographer, the viewer enters the secret world of their creation and is guided into the heart of the photographic creative process.
Art dealer Salvatore Viviano and director Angela Christlieb embark on a search for the lost artist collective Gelitin, which since the 1990s has shattered the borders of "good taste" again and again with extravagant actions and installations. Interviews with old companions and artist friends in the U.S., Europe, and Asia are linked with anarchically montaged Gelitin archive material: intense, transgressive, experimental, gaudily colorful, funny, and virulent.
Nicole Doucet is a gourmet chef. Everything is going well professionally for the young woman. Guillaume, her son, is a former drug addict whom she has lost sight of. The day he returns to her restaurant, she discovers that he is married to a woman much older than him. Nicole is suspicious of this idyll and fears that Guillaume will fall back into the infernal spiral of drugs.
