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Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
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Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.
A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.
A documentary film about parachute training in the Voluntary Union of People's Aviation.
The onset of communism changed many people's lives. Children without homes were no longer raised in foster care, but in institutions. Through an interview with a man who grew up in such an institution and a woman who is trying to address the issue from the outside, this documentary shows how, even after thirty years of freedom, the Czech Republic still desperately needs a revolution in this area.
A report from a Svazarm summer training camp where trained instructors dedicate themselves to providing children and young people with defence education.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
The animated documentary shows a day in life of a person suffering a mental illness called anorexia nervosa. It is an intimate insight into the mind of an anorexic, who must somehow interact with raw reality.
Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.
From the ocean, a volcanic island rises into steamy mist. The black rock of the earth stands in sharp contrast to the billowing vapor that hovers and drifts above the surface. A narrator describes how the island’s first inhabitants sought to explain the violent eruption by attributing the devastation to the wrath of angry gods. With breathtaking black-and-white cinematography, this poetic exploration considers the human relationship to this volatile land, where residents live alongside the looming threat of eruption with reverence, fear, and awe. A collection of scenes where dark and light miraculously coexist illuminates both the physical and spiritual landscapes of this extraordinary place, where life endures the perils of the natural world.
