A report from a Svazarm summer training camp where trained instructors dedicate themselves to providing children and young people with defence education.
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Commentary (voice)
Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.
Human action is often influenced by the desire for knowledge. This desire is in itself a positive impulse and could be said to be the basis of all progress. Let's move this statement to the ground of scientific research at CERN, and see if it applies here - and then test the common experience that human stupidity permeates every social stratum and, in the case of the elites, is a potential threat.
The director, a young man in his thirties going through a life crisis, approaches his estranged parents to help him paint his apartment. Conversations accompanied by a paint roller and paint thinner open up old wrongs while revealing the complexity of interpersonal relationships. The absence of communication, or the lack of will to communicate, as a symptom of contemporary family ties, stands in contrast to caring for a family of pigeons that has made its nest on the director's balcony. The film, in its civility and authenticity, follows the lessons of a book dedicated to amateur filmmakers and thus enters into a subversive dialogue with the paradigms of film pedagogy.
An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.
Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.
A documentary about three different physical media shop owners "nerding out" about the media that their store specializes in and their thoughts on how one day physical media may become obsolete.
Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.
In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.
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Film in hand. Carnival in the global village.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
Baptist Fernandes is an undertaker by trade, but he has dealt with death all his life.
A documentary film about parachute training in the Voluntary Union of People's Aviation.
The onset of communism changed many people's lives. Children without homes were no longer raised in foster care, but in institutions. Through an interview with a man who grew up in such an institution and a woman who is trying to address the issue from the outside, this documentary shows how, even after thirty years of freedom, the Czech Republic still desperately needs a revolution in this area.
What is the Art of Living ? A few weeks ago, I asked myself this question, as silly in its formality as it is complicated in its complexity. In this video, I'll try to give you my definition and my vision of what the art of living is !
