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The sculptor Stephan Balkenhol is a world star on the German art scene. Yet the artist has remained as down-to-earth as his figures themselves. His wooden people fetch top prices at auctions at Christie's, Sothebie's and Co. Despite the trend towards abstraction, Balkenhol rediscovered the figurative for himself. The human being in itself, snatched from the hectic everyday world, reflecting, with an empty gaze. The sensation lies in the ordinary. Against the pathos of monuments and memorials. The film takes a look into the world of Stephan Balkenhol and observes him at work - the portrait of an extraordinary artist.
Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.
Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.
An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.
The documentary follows Nicolas Vlavianos (1929-2022), a renowned sculptor, in the final years of his life. It captures the moment — when he is around 90 years old — that he returns to an old drawer, tries to pick up his tools, and realizes he no longer has the strength to hold them. That simple gesture becomes the symbolic trigger: the end of his long creative cycle and the beginning of a farewell to his art. From there, the film documents the dismantling of Vlavianos’s studio and workspace, and the gradual process of his withdrawal from physical creation. It’s not just a retrospective of works: it’s a portrait of decline, memory, mortality, and legacy.
Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.
A documentary film about parachute training in the Voluntary Union of People's Aviation.
The onset of communism changed many people's lives. Children without homes were no longer raised in foster care, but in institutions. Through an interview with a man who grew up in such an institution and a woman who is trying to address the issue from the outside, this documentary shows how, even after thirty years of freedom, the Czech Republic still desperately needs a revolution in this area.