Experimental video
Like a Wave in the Sea
No Trailers found.
An engaging music video, an explosion about the present and the future. A cry of resistance in the midst of neglect. A reflection of our society in pieces.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Rather pointless, rather stilted, fetid; not what we want us going after.
Don't ask me why, but I feel we're about to cry trying.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Slowed, stowed, achingly retold.
No overview available.
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
Hiding inside&out, writhing about, taken out&in.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Return to 'burn' only to find out you're already in that urn.
Short movie from the German band "Das Ich". "Kaleidoskop" was filmed by Kevin Gross.
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
Ela
