It's time the times met each other over & over.
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Trailer
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.
An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.
Still it's really tall. Still it's really floundering/falling/fading.
Strings together what's strung together (please use yr tether).
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.
Rather pointless, rather stilted, fetid; not what we want us going after.
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Centrist revelations abound among repetitions & revisitings.
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Slowed, stowed, achingly retold.
Don't ask me why, but I feel we're about to cry trying.
A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. The performance marked the first public unveiling of Sakamoto’s new opus, async, hailed as one of the best albums of 2017 by Rolling Stone and Pitchfork.
Hiding inside&out, writhing about, taken out&in.
