A film about friendship and the occasional loneliness.
Overlooking the sea, two young men contemplate what is beyond the horizon as their friends and family leave for the allure of a new life.
The principal of a high profile school comes across the bright Raghu, son of a dhobi, and gives him an opportunity to learn in his school along with the kids coming from rich families. Being a dhobi's son, Raghu experiences fear and inferiority complex in the beginning, but as time passes, he makes six best friends who hail from rich families and a beautiful bond of friendship begins.
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play. Daumë is both ethnography and critique; it is an interrogation into how to represent a place that can't be represented.
“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas
Home cook Rachel, a sort of Ma Dalton, has raised her sons Sam and Jeremiah, and her grandson, Nathan, in the cult of conning. From bad plans to petty theft, this friendly family of broken arms is always after the big score. Luck or fate, during a burglary, they steal a painting by Tamara de Lempicka without knowing its value. Céleste, a shrewd and charming detective, sets out in pursuit.
The circle of life continues for Simba, now fully grown and in his rightful place as the king of Pride Rock. Simba and Nala have given birth to a daughter, Kiara who's as rebellious as her father was. But Kiara drives her parents to distraction when she catches the eye of Kovu, the son of the evil lioness, Zira. Will Kovu steal Kiara's heart?
A 7 year love story between Ryota Hayama and Koharu Uemura from their first date to eventual marriage. Ryota and Koharu are high school students. Ryota is indifferent to people and says very little. Koharu is not afraid of to speak her mind and she has a bright personality. Since a game of rice bag jump, they begin to date. They date at a fast-food restaurant, realize they love each other at a family restaurant and finally swear their love on a dining table with white rice.
The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.
A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.
Isa and Marie bond while working in a French sweatshop and soon begin sharing an apartment that Marie is watching for a hospitalized mother and daughter. Marie, hoping to avoid a life of struggle and poverty, takes up with Chriss, a nightclub owner whose most attractive asset is his money. Isa recognizes the ultimate futility of the relationship and tries to keep Marie away from him, but her interference puts their friendship at risk.
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
A headstrong young woman returns to New Orleans after the death of her estranged mother.
Two best friends and recovering addicts embark on a frantic chase through New York City to stop the woman they are both in love with from killing her ex-boyfriend.
An almost bombproof method of staying single is called "speed dating". 18 people participate in such an event. Nine men and nine women are sitting opposite each other in order to sell optimally under the pressure of time and to find a partner. They are looking for a date - and have nothing else in common. They talk about allergies, cappuccino, consumer behavior, buses and designer clothes: the list of serious embarrassments is long. Yet none of the lonely hearts has given up the hope of romance.
Four young adults who try to commit suicide on the same day become friends.
Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.
Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.
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