"Wolfe" is an intimate confessional from Nick, who learned through puberty that the imaginary friend in his head was real, and violent.
Stephen Cummings is one of Australia's most revered rock 'n' roll icons. Rising to fame as frontman of ‘70s legends The Sports, he has spent more than 30 years at the forefront of the local music scene, forging a reputation both as one of Australian rock's greatest lyrical storytellers and also one of its most incendiary critics. Based on his scathing tell-all memoir Will It Be Funny Tomorrow, Billy?, Don't Throw Stones tells Cummings' story in his own words – as well as the words of those he has so gleefully skewered. Featuring interviews with Michael Gudinski, Steve Kilbey, Joe Camilleri and many more, Don't Throw Stones is a revealing portrait of three decades of rock-world gossip, larger-than-life personalities and good, old-fashioned artistic beef.
Angels Gather Here’ follows Jacki Trapman’s journey back to her hometown of Brewarrina to celebrate her parents, Bill and Barbara’s 60th Wedding Anniversary. Going home is never easy for Jacki. Amidst the family celebrations she reflects on her life; her story symbolising the strength, dignity and resilience of many Aboriginal people in the face of adversity.
A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
ALLIES is a landmark documentary from 1983, made at the time of Bob Hawke’s unequivocal embrace of the American alliance.
Provocative, funny and profoundly moving, Bastardy is the inspirational story of a self proclaimed Robin Hood of the streets. For Forty years and with infectious humour and optimism, Jack Charles has juggled a life of crime with another successful career- acting
Frackman tells the story of accidental activist Dayne Pratzky and his struggle against international gas companies. Australia will soon become the world's biggest gas exporter as more than 30,000 'fracked' wells are sunk in the state of Queensland where Dayne lives. He and his neighbours have unwittingly become the centre of a massive industrial landscape and they have no legal right to stop mining on their land. Dayne embarks on a journey that transforms him from conservative pig-shooter to sophisticated global activist as the Frackman. He meets the people drawn into a battle that is crossing the ideological divide, bringing together a peculiar alliance of farmers, activists and political conservatives. Along the way Dayne encounters love, tragedy and triumph.
An exotic world of eroticism, witchcraft, masochism and strange secret places.
In 1984, Midnight Oil released their iconic record Red Sails in the Sunset. They embarked on a relentless tour around the nation performing raw and electrifying music that reignited the imagination of young Australians. That same year, their lead singer Peter Garrett committed to run for a Senate seat for the Nuclear Disarmament Party. With the mounting pressure of balancing the demands of music and politics this is the year that would make, but nearly break, Australia's most important rock and roll band. Thirty years in the making and featuring never seen before seen footage of the band on and off the stage, Midnight Oil: 1984 is the untold story of the year Australia’s most iconic rock band inspired the nation to believe in the power of music to change the world.
An exploration of the work of a new generation of young Muslim artists, who use their work to explore issues of faith and identity and what it means to be Muslim and Australian in the 21st century.
The Dreamtime is the Aboriginal worldview. It consists of many different dreaming's. If you look long enough at a bird, stone or a wave, you'll be surprised at what you will find. A surfing journey throughout Australia like never before. Featuring Luke Egan, Munga Barry, and Mark Occhilupo. The music of Not Drowning Waving, Schnell- Fenster, Yothu Yindi, The Woodentops, Concrete Blonde and INXS.
An essay film by filmmaker and archivist Sari Braithwaite, [Censored] offers an overview of film censorship in Australia, told through an ever-changing collage of images compiled from the footage that was cut from films released domestically between 1958 and 1971.
A film about Men At Work, their hit single Down Under, and the Kookaburra controversy. The band were sued for copyright infringement and faced the label of 'plagiarists', 35 years after their success. An examination of the organic development of the song, its commercial success and cultural significance and questions the relationship between art and law, influence and copyright.
The extraordinary true story of Barney Miller, an emerging Pro-surfer who became a quadriplegic 17 years ago. Told by doctors he would never use his legs again, Barney defied all medical assessments through grit, self-belief, hard work and sheer guts. When Barney meets and falls in love with Kate, a girl with her own dreams of being a singer, he makes it his mission to only ask Kate to marry him when he can kneel down to propose, stand at the altar and dance at their wedding together.
To promote the release of his album Garth Brooks in... The Life of Chris Gaines, Garth Brooks appeared as Chris Gaines in a television "mockumentary," a version of VH1's seminal cable classic Behind the Music, featuring a totally made-up tale that just may be the greatest rock n' roll documentary ever made. This piece of art has everything that makes the story of being a rockstar fucking cool. It has childhood trauma, record label trauma, death, disfigurement, a plane crash, a car crash, sex addiction, redemption, a house fire, random unexplained commentary from Billy Joel, and more sex addiction.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."
A lonely house-wife’s plan to end it all takes an unexpected turn when her last hurrah begins a radical journey of sexual exploration and personal re-invention.
A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.
The 1970s punk rock movement: New York had the Ramones, London had the Sex Pistols, Australia had the Saints. Stranded takes a look at the role four musicians from suburban Brisbane played in the explosion of one of the all time greatest musical movements. Featuring interviews with the members of the band, including its leaders Ed Kuepper and Chris Bailey, as well as the likes of Sir Bob geldof, former Dead Kennedys frontman Jello Biafra and Buzzcocks guitarist Steve Diggle, Stranded examines how the oppresive and conservative government of Joh Bjelke-Peterson in the 1970s helped act as a catalyst for the rise of punk rock in Australia, and how as a result The Saints went on to be one of the most influential bands in the country.
Told through the eyes of an Australian news reporter, Eammon Ashton-Atkinson, who moved to the UK to escape depression, the documentary, follows 3 characters on their journey to overcome their struggles as the club competes against 60 other gay clubs in the Bingham Cup in Amsterdam – the World Cup of gay rugby.
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