I wouldn't allow my Harold to see such a film!
An exotic world of eroticism, witchcraft, masochism and strange secret places.
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A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.
In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.
Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
A cinematic pilgrimage through the Chapel of Sacred Mirrors gallery in New York City, where the art work of Alex Grey, world reknowned painter sculptor and author combines science and spiritual wisdom.
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
Stories of injury, fear, humour and falling in love from soldiers caught up in conflicts from World War II, Vietnam and Afghanistan. Discover the people behind the new sculptures in Greensborough War Memorial Park.
In this Mockumentary, a film crew follows and documents a group of Dungeons and Dragons players in the last 3 months of their five year adventure campaign.
The story of Iraq's only heavy metal band and their fight to play music.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Defying the idea that ballet is an art form steeped in the history of the wealthy white elite, this documentary captures the dreams of two black children from the Favela in Brazil, who, despite constant prejudice and doubt, are both determined to beat the odds and follow their dreams to use dancing as an escape rarely found in their tough day to day lives.
A profile of two men who go to exceptional lengths to improve – and in some cases, save – the lives of those with nowhere else to turn. They risk their freedom by supplying black market medicinal cannabis to thousands suffering from chronic and terminal illnesses.
A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
This lively documentary explores the rise and fall of physical media from the origin of film all the way through the video store era into digital media, focusing on B-movie and cult films. With icons like Joe Bob Briggs (MonsterVision), Lloyd Kaufman (Toxic Avenger), Greg Sestero (The Room), Debbie Rochon (Return to Nuke 'Em High), Deborah Reed (Troll 2), Mark Frazer (Samurai Cop), James Nguyen (Birdemic) and many others.
Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.
An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
The Dungeon Masters explores the subculture of role-playing games, specifically Dungeons & Dragons, which for over 30 years has offered gamers the chance to escape their mundane lives and participate in a world they might otherwise never experience. Popularity and power are based on creativity and imagination rather than social status or wealth, and success is based not on who you know but on what you do.
"I'm not black, I'm not white, not foreign, just different in the mind. Different brains, that's all," explains 15-year-old Billy in Jennifer Venditti's provocative coming of age film. Following Billy as he bicycles through the quiet streets of small town Maine, we watch him traverse the frustrating gap between imagination and reality, grappling with isolation and first-time young love. By turns exhilarating and disturbing, we see the world from the intimate view of an expressive and seemingly fearless outsider.
