A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
Trailer
Self
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
A documentary look at the 'making of' and cult success of the troubled Lou Adler directed film "Ladies And Gentlemen The Fabulous Stains" starring Diane Lane.
A crew of filmmakers shoot undercover on the streets of Hong Kong with hidden microphones and no permits. The city becomes a giant set as mounting tension and ego clashes push tempers to breaking point.
Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.
This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."
This 2005 documentary features interviews with the cast and crew of The Celebration, including director Thomas Vinterberg and co-screenwriter Mogens Rukov.
In July 2025, MONSTA X set the KSPO DOME ablaze over three unforgettable days with their show 2025 MONSTA X CONNECT X. From the powerful live band session and a setlist packed with spectacular performances, to never-before-seen behind-the-scenes footage of the preparation process, and exclusive, heartfelt interviews where the members reflect on their intense 10-year journey—this film captures it all. A chronicle of a decade-long story written together by MONSTA X and MONBEBE.
BROTHERS AT WAR is an intimate portrait of an American family during a turbulent time. Jake Rademacher sets out to understand the experience, sacrifice, and motivation of his two brothers serving in Iraq. The film follows Jake’s exploits as he risks everything—including his life—to tell his brothers’ story.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
The first solo concert of K-pop girl group IZ*ONE screened in theaters.
An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.
Join the director, cast and producers of The Piano Lesson for an illuminating, intimate conversation about about bringing August Wilson's play to the screen.
No overview available.
A profile of the acclaimed animator and director Brad Bird featured on the Incredibles 2 Blu-Ray.
Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.
An indictment of closeted politicians who lobby for anti-gay legislation in the US.
As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.
In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.
