In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.
They think as Czechs, they speak as Czechs, but they look as Vietnamese. How is the second generation of Vietnamese people in Europe?
In the 90’s in a convent in Kerala, Sister Philomena is seriously ill while all the others are preparing for the anniversary of the convent school. Sister Nirmala who looks after sister Philomina is assigned to be with the actress Urvasi, the chief guest for the function. Sister Nirmala’s happiness has no bounds as it the same actress she has a deep fascination for, which the rest of the convent is not aware of. Things take a decisive turn when, on the day of the anniversary sister Nirmala is asked to stay back and look after Sister Philomina whose condition has unexpectedly deteriorated.
Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.
Norman’s father was a society portrait painter. After his father’s death, Norman faces the burden of inheriting his father’s life’s work. He struggles with conflicting feelings about a man who was a gifted artist, but a difficult and unsupportive father. In this emotional journey Norman reconnects with his own artistic nature, something that had not been possible while his father was alive -- finally emerging from his father’s shadow, and the shadow of his grief.
Creates a reorientation of vision in a union of sights and sounds which suggest a different way of appreciating and understanding the fundamental integrity of experience.
First the atomic war broke out, new machines were made, dead birds appeared. In 1999, a bacteriological warfare began, there were sandstorms and giant locust infestations; the human tissue was transformed and a new being, once legendary, now real, emerged: the vampire. Only Robert Neville, the last man on Earth, remains unpolluted, living in constant struggle with the new inhabitants of the planet.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.
Young James struggles as an outsider at his school. His teacher, Mr. Sutherland, is the only person he feels he can connect with. When James finally puts a voice to his feelings, Mr. Sutherland's response isn't what James had hoped for.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
Two mismatched friends, students, each in their own way troubled by life, travel one day to a nearby beach, invoking a sort of playful innocence long believed spent along with their childhoods, in the hopes that doing so will restore both of their happiness. Alas, life seldom works out that way.
Disabled Petr, living with an overprotective father, wants to prove his masculinity by meeting a girl from the internet.
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
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Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.
Ryan and Jennifer are opposites who definitely do not attract. At least that's what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.
Matys is an outsider who moved from Ukraine to Czechia with his sister in search of a better life. It turns out the situation there is not ideal either. A glimpse of hope comes when Matys manages to get a job in a cottage located in the heart of a splendid forest.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
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Jana
Jana (voice)
