Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
TV Party Music Video - (Live @ Target SF 1981) Rise Above - Thirsty & Miserable -Depression - American Waste - Fan greeting in Bologna, Italy 1979 - Revenge (San Francisco 8-20-80) - Jealous Again - Chuck (mock) interviews Dez & Henry - Rise Above (repeat)
The tale of the formation, journey and end of the seminal Punk/Reggae band The Slits.
Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
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Lion vs The Little People is a documentary comedy about the greatest internet hoax of all time. In 2005, a hoax news post masquerading as a bonafide BBC news website article, announced a fight had taken place between a lion and an army of 42 fighting dwarfs. The hoax spread like wild fire across the internet before eventually being accepted to be fake. While the article’s veracity has been diminished, the myth lives on in this outrageous deadpan comedy.
Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?
This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
Live perfomances and interviews from the post-punk era.
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.
160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.
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