Picture Particles

Jun 9, 2014

0h 6m

★ 8.5

Overview

Individual elements from a carrier of visual information have been isolated and used to construct alternative visual reagents. Repetition is administered as a binder to tame the wild particles in motion, achieving a golden ratio in the mind's eye.

Genres

Animation

Picture Particles Trailers

No Trailers found.

Cast

No Cast found.

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

6.5

Street of Crocodiles

Jul 1, 1986

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

6.7

The Comb

Oct 11, 1991

A porcelain doll’s explorations of a dreamer’s imagination.

6.5

Anamorphosis

Apr 9, 1993

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

6.1

Stille Nacht II: Are We Still Married?

Aug 31, 1992

Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".

6.1

The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection

Jun 26, 2003

A display at the strange and wonderful artifacts in a collection of medical curiosities.

6.3

In Absentia

Oct 21, 2000

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come."

6.8

Stille Nacht IV: Can't Go Wrong Without You

Dec 31, 1993

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

6.1

This Unnameable Little Broom

Jan 1, 1985

Stop-motion animated short film in which a puppet on a trike captures a puppet bird-man.

6.5

Rehearsals for Extinct Anatomies

Jan 1, 1988

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

5.9

Stille Nacht III: Tales from Vienna Woods

Jun 1, 1993

Near an extraordinary chair with many legs, a hand is visible gripping an edge. The hand is weathered, the fingers cracked and scarred. The end of a rifle appears and a shot fires. The bullet is visible whirling through space; it caroms and then goes through a pine cone. A long spoon emerges from a drawer in the chair and stretches toward the hand. The bullet is on the spoon. Later, the hand holds the bullet between two fingers; another shot is fired.

5.2

Between Science and Garbage

Apr 27, 2004

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

6.4

The Calligrapher

Jan 1, 1991

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

No Image Available

0.0

Computer Movie No.2

Feb 5, 1969

Computer Movie No. 2 is a CGI animation created in advance of video-editing software. CTG programmed graphics on an IBM computer, filmed the screen with a 16mm camera, and assembled the frames as an animated film.

No Image Available

0.0

1 Seconde

Sep 10, 1991

“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.

5.5

The Summit

Jan 1, 1995

Two men seek to negotiate an agreement of international significance.

5.5

Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante

Aug 1, 1977

Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"

No Image Available

0.0

The Medium Is the Medium

Jun 16, 1968

Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Picture Particles

Overview

Genres

Picture Particles Trailers

Cast

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