Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
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Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
A ritual in the form of a film essay that explores, through collage, the sense of exile experienced during early childhood migration. It examines the primal configuration of detachment from one’s homeland, family environment, and body, and the reclamation of origins as a symbolic center.
Jozef embarks on a journey via a ghostly train to visit his dying father in a remote Galician sanatorium. Upon arrival, he discovers that the sanatorium exists in a realm where time is distorted—his father's death has not yet occurred, as time here lags behind the outside world by an undefined interval. Jozef's experiences become increasingly fragmented and dreamlike as he confronts various manifestations of his father, each representing different aspects of their relationship and his own psyche.
A town in the middle of a drought entrusts its fate to a wandering musician who has the power to bring rain with the music of his accordion.
Astrid lives torn between two worlds: a boundless, sterile office and a desolate blue realm composed of trash she struggles to recollect. When she finds a door to her childhood bedroom, she feeds what’s left of it to her only friend, Crow, who wonders how much longer she can live in these fragmented realities.
Martin is an unscrupulous chap who has never cared about anyone but himself until he meets Irina, a Russian girl.
An elder counts sheep as they fall asleep for the last time. Seeds spread across infertile land, among the deterioration of a bodily vessel and the earth it decomposes into.
Nyosha is a ten year old girl. She dreams of buying a pair of shoes during the reality of a pitiless war. She believes that because of her shoes, she will stay alive.A range of animation techniques brings together the dream and the reality and tells Nyosha's story.
The annual ghost convention introduces swing music to their tired out old scares.
Stories can be told in many ways. Once portrays a true episode that occurred in Argentina in 2012. A train accident that cost the lives of many people.
In this animated short, a terrible curse deprives Balthasar's kingdom of its stories. Taking the unicorn's horn back into The Belly of the Earth is the solution. Poppety will lead an expedition, by chance uncovering a hitherto closely guarded family secret.
A little man tries to save a bird that fell from its nest. A stop-motion adventure drawn and animated on paper.
DEO A reimagining of Deo Gratias (ca. 1497) by Johannes Ockeghem. A Film by Eric Leiser. Animation by Eric Leiser. Composed by Pauline Kim Harris and Spencer Topel Deo is an acoustic-electronic transcription of Johannes Ockeghem’s stunning Deo Gratias devised as a complement to Ambient Chaconne. Notable as a 36-part canon, Ockeghem evokes singing of angels in heaven via an innovation on a traditional canon, using this ancient musical device as a kind of acoustic feedback delay. In essence, our Deo expands this idea of delays to a canon of thousands, in an ever expanding and infinite soundscape, where the melodies eventually dissolve into resonance.
Aboard their cart, Dr. Rhubarb and assistant Cough travel from house to house to cure absurd diseases with their innovative remedies. Loosely inspired by 18th-century prints and cartoons about fear of disease and doctors, an exploration of the mystery of healing and thaumaturgy.
Robbie the Reindeer arrives at the North Pole, ready to take his place as navigator on Santa's Christmas sleigh team. However, Robbie is soon plagued by doubt regarding his ability, and sets out to regain his self-respect and the admiration of his team-mates.
A postman, S.D. Kluger, decides to answer some of the most common questions about Santa Claus, and tells us about a baby named Kris who is raised by a family of elf toymakers named Kringle. When Kris grows up, he wants to deliver toys to the children of Sombertown. But its Mayor is too mean to let that happen. And to make things worse, the Winter Warlock lives between the Kringles and Sombertown.
Music leads us through death. An existential odyssey.
WE EAT SHIT. An unapologetic warning about how complacent we can be. Part of NAKED ISLAND, 15 super-short and incisive films created by some of Canada's top animators. Framed as “Public Service Alerts,” and produced by the National Film Board of Canada, this series blends the art of animation and advertising to promote self-reflection by dissent, satire and wit.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A solitary man works in a tall office building. The only moment in his drab life that's out of the ordinary each year seems to be opening the birthday card and gift from his mother. Usually it's a tie, but one year it's an accordion. It goes into the closet with his many ties. A year or two later, he discovers what happens to the papers he processes every day. His discovery sends him first to the building's top floor, then to his closet.
