From The Museums Of Sleep
A porcelain doll’s explorations of a dreamer’s imagination.
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Sleeping woman
Narrator
The last hole in the fabric of the universe is discovered.
A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.
Mickey's friends throw him a surprise birthday party at Minnie's house. The chef brings out the cake (with 2 candles); Mickey manages to blow all the cake onto the chef's face, while the candles stay lit. He unwraps his present: a miniature piano. He plays a duet of I Can't Give You Anything But Love, Baby with Minnie, followed by an instrumental version of The Darktown Strutter's Ball, which everyone dances to (including Mickey and Minnie, while the piano stools keep playing). Mickey then plays There's No Place Like Home on the xylophone, then accompanies Minnie on another piece, after which the xylophone gets frisky and eventually dumps Mickey in the fish bowl.
A story about a hunter's son, who was born with antlers, and about how each man kills the thing he loves.
Many years ago tech giants lost control of AI robotic technology. By kidnapping and monitoring newborns, the Ai robots are now trying to master the one thing they have yet to understand… Creativity.
A choir of tropical frogs performs infectious pop in delightfully unsettling animation from Costa Rican-Canadian artist Bianca Shonee Arroyo-Kreimes. Riffing on karaoke companion videos and the swipe-n-scroll conventions of handheld media, she infuses candy-coloured digital animation with the spectre of ecological collapse.
A group of down-and-out accountants mutiny against their bosses and sail their office building onto the high seas in search of a pirate's life.
Mater is a matador fighting a herd of bulldozers in Spain. When Lightning McQueen enters the story, the bulldozers begin to chase him due to his red paint.
A group of confectionary soldiers go to war against a neighboring cookie castle.
The moon and two owls sing to the Blue Danube Waltz, celebrating the night. Moths dance around a candle flame, fireflies glow, frogs chorus, and so forth.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
After escaping from a religious colony in Chile, Maria seeks shelter in a mansion where she’s taken in by two pigs, its only inhabitants. Like in a stop-motion dream, the universe of the house reacts to her feelings. The animals slowly morph into humans and the house into a dark, menacing world.
The Daily Dweebs is a pilot episode of an animated series revolving around the pet Dixey and his shenanigans in 1950's American suburbia.
A film miniature to classical music inspired by the music of Wolfgang Amadeus Mozart. Praise for the joy of life, synchronously set to the vocalization of Mozart's piece.
A futuristic noodle shop in small-town Saskatchewan has become the world’s first purveyor of the latest in culinary fashion: psychedelic polydimensional comfort food. In this lovingly bizarre short, director and animator Howie Shia examines the small, largely unnoticeable ways in which colonization seeps into our lives, and asks, what is the responsibility of those who dine at a colonial supper table? Dig in.
Its Autumn, birds are migrating to warmer climate. On the gray streets of Paris, illegal immigrants are selling shoes. Winter is near.
BAG MAN is the understated story of a 12 year old African American boy, who takes us on an introspective journey out of the city and into the remote countryside of upstate New York. With a mysterious duffle bag in hand, its contents unknown to us, we journey from the urban hustle of Harlem, into the winter-ravaged woodlands a world away. On the road, we slowly discover his real intentions, and the significance of what is hidden inside a young boy's bag.
Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.
A teenage boy is home alone for the weekend but when nocturnal creatures living in his attic escape, he must survive.
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