First properly animated film produced by Laugh-O-Gram Studio, as part of demo reel. Part of the Newman Laugh-O-Grams Series.
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A Walt Disney short film.
The magical tale of a mouse who sets foot on a woodland adventure in search of a nut. Encountering predators who all wish to eat him - Fox, Owl and Snake - the brave mouse creates a terrifying, imaginary monster to frighten them away. But what will the mouse do when he meets this frightful monster for real?
The journey of a magician performing illusions to amaze and humour.
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come."
Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.
Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
Two men seek to negotiate an agreement of international significance.
As the gap between a burning airplane and the ground gets smaller, one passenger has other things on his mind!
While filming a Teddy Bear in stop-motion, a man accidentally unleashes supernatural dark forces. A short horror film by Robert Morgan
Enigmatic, stop-motion, animated story of a man's day.
A display at the strange and wonderful artifacts in a collection of medical curiosities.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
A porcelain doll’s explorations of a dreamer’s imagination.
The film centers on an unusual photograph dating back to the 1930s. An investigation of its particulars reveals a tapestry of secrets hidden in the details, and a tale of kidnapping and murder captured in a haunting moment.
Stop-motion animated short film with a white ball, a rabbit, and a girl, and a voice singing "Are We Still Married".
Morten the hedgehog suddenly acquires a baby brother and getting mummy and daddy's attention becomes very difficult. Morten decides to get rid of his baby brother and put back the clock.
With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.
In a solemn, haunted environment, a small bug crawls over the silhouette of a house.
