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A film about a couple moving into their first home.
The magical tale of a mouse who sets foot on a woodland adventure in search of a nut. Encountering predators who all wish to eat him - Fox, Owl and Snake - the brave mouse creates a terrifying, imaginary monster to frighten them away. But what will the mouse do when he meets this frightful monster for real?
A man's repeated attempts to retrieve an apple off a high tree branch all prove fruitless. What does he want the apple for? That would be telling.
A Walt Disney short film.
Cartoon short about Quark the troll, this time as a dragonslayer by chance.
Tells the beginning of the story of Quark: His birth and how he is thrown out by his parents due to his malicious behaviour.
Enigmatic, stop-motion, animated story of a man's day.
In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.
Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.
A porcelain doll’s explorations of a dreamer’s imagination.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
Filmed like the travel journey of a Western traveler in search of Madagascar's customs. The pages turn, the drawings come to life, and the luxuriant landscapes of Madagascar appear one after another.
This short little cartoon is based on the popular song by Jack Rollins and Steve Nelson, first recorded in 1950 by Gene Autry as his followup to Rudolph the Red Nosed Reindeer.
“When he shot Une seconde (4 min., 20 sec.), a video animation without computer graphics, Richard Angers tried to adapt Norman McLaren’s animation techniques to video shooting and editing. A long-term solitary task, in which images are moved by hand, centimetre by centimetre, in which one plays with the number of images per second, and in which the ± pure quest for effects is more important than the message”. BLANCHARD, Louise. “Les vidéastes sont au ‘rendez-vous’”, Le Journal de Montréal, Montreal (9 February 1992), p. 38.
Ghiblies, a totally different look on the staff of Studio Ghibli as they go through life, work on new animation projects, office jokes, off the wall events, and deciding what to have for lunch.
Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
In a solemn, haunted environment, a small bug crawls over the silhouette of a house.
Morten the hedgehog suddenly acquires a baby brother and getting mummy and daddy's attention becomes very difficult. Morten decides to get rid of his baby brother and put back the clock.
The Trolls, Princesses, Glooms, and Engineers must join forces to defeat Silence.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
