A documentary about one night at Alexander Theatre in Helsinki. Staff prepares for 300 guests, serves them and closes this historically significant building for the night.
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A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.
Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.
The life and work of a retired model maker.
Isaac, a failed actor and Skies employee, shows us the daily life of workers in an average call center, facing the boredom to get to the end of the work day.
Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.
When illness forces her away from her beloved trauma cleaning business, Sandra Pankhurst faces up to her traumatic past and begins a search for her birth mother.
Intimate and fragmented moments unfold in a community of zoos and animal rescue centers across Argentina. As histories of these institutions are uncovered, dedicated workers commit both day and night to caring for the remaining enclosed animals, fostering a mutual bond that transcends imagined boundaries between human and animal.
Violeta and Vyollca Dukay live in the south of Kosovo, close to the border with Albania. Faced with a very high unemployment in their country since the end of the war, they became deminers. They’ve been going to the minefields every day for six years now. The unique and very strong relationship that exists between the two sisters helps them to overcome their fear and to keep hoping in spite of the precariousness of their situation and the risks they run each day to earn their living.
While everyone wants to die "at home" without suffering and surrounded by loved ones, in reality almost everyone dies in hospital. What healthcare provisions enable people to die at home? Are we all equal in terms of the support we receive, regardless of where we live? Young caregivers in a home hospitalization unit drive day and night along the Alabaster Coast. From house to house, from dying person to dying person. Accompanying a dying person at home also means accompanying their loved ones, immersing oneself for a few days or weeks in the intimacy of a family history. Thanks to them, the end of life returns to the home, to the family, and is rehumanized.
The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.
Melbourne-based Stelarc burst into prominence in the early 1970s with confronting, and outrageous public art performances. Following his mantra that ‘the body is obsolete’ he set about testing the limits of his own body in a series of death-defying stunts. Stelarc has always fought to escape the force of gravity. A third arm, an extra ear, a cheeky prosthetic head and an ambidextrous hand all play parts in this lively biopic as Stelarc wrangles the intersection between humanity and technology.
After getting caught in a fight, Vahid needs to sell one of his kidneys to avoid a prison sentence of many years. While waiting for the liberating call from a buyer, a wish for a better life starts to grow within him.
From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.
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