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Stan Hill Jr. is a Haudenosaunee artist living in Miawpukek First Nation Reserve, Conne River, Newfoundland. In “The Bear Inside a Whale,” he and his family discuss racism, identity, religion, creation and art, along with the cultural extinction of the Beothuk of Newfoundland. Throughout the film, we follow Stan carving a bear out of a whale vertebra. And we visit The Rooms (museum) in St. John’s, Newfoundland, where Stan talks about viewing and reclaiming Indigenous artefacts.
On September 11, 2004, filmmaker Robert Morin shot Que Dieu bénisse l'Amérique, set on September 11, 2001. For artistic reasons, he decided to shoot the feature in a single day. Philippe Falardeau witnessed this tumultuous day, which ended tragically. At the same time, filmmaker Louis Bélanger criticizes Robert Morin's working methods.
Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.
Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.
A documentary road movie. Traveling across his homeland, the filmmaker explores what Yakut cinema is, and what it means to the Sakha people and to himself.
A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.
This feature length documentary by Jacques Godbout tackles a topic all too rarely explored in the media: terrorism in Canadian society. From Montreal to Vancouver, and Quebec City to Toronto, exasperated individuals find a new calling as self-style saviours of humanity and decide to mete out their own justice. Part reportage, part essay and part critical analysis of the phenomenon, this film includes first-hand accounts by Serge Daoust, Franco Piperno, François Schirm, Pierre Vallières and young militants from the journal Révoltes.
In an effort to understand where she came from, Fabiola asked a question that became the central phrase of the film: what would my life have been like if I'd stayed in Haiti? Taking as her starting point her biological mother's precarious economic situation, she had no choice but to entrust her daughter to her care. Fabiola could have ended up restavek, or in a loving foster family, or on the streets abandoned to her fate, or adopted abroad.
A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.
Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.
The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
Nine years after the disappearance of Cédrika Provencher, Claude Poirier returns to the scene of the crime. With the help of lawyer Guy Bertrand, former minister Jacques Dupuis and witnesses of the events surrounding Cédrika's disappearance and the discovery of her skull, Poirier reveals all he knows about this sadly popular story.
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