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In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.
Black Mold Exposure explores the bizarre illnesses associated with exposure to toxic mold and the film participants' difficult task of regaining their health and lives in an atmosphere of political and social intolerance and disbelief. Black Mold Exposure is a first-ever look into the lives of those claiming to be ill from mold and the controversial and volatile climate surrounding it.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.
A documentary film exposing the truth about psychics and fortune-tellers. All the ins and outs of magical TV shows and services of the most famous psychics with evidence, names and prices.
Unconditional: A Journey of Selfless Love explores the love, care, and sacrifices family caregivers give to their loved ones and the many loving choices they have to make. Learn what it means to be committed and loyal to someone no matter the circumstances as highlighted through four caregivers and their journeys.
'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.
Max Ramsey, an advocate for those experiencing poverty, uses what he has gone through to serve the impoverished community of Milwaukee despite internal struggles and disapproval from the city.
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.
Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.
Documentary about young people who are dedicated to cleaning windshields in Ciudad Nezahualcóyotl to survive.
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