logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
He
Sign in to create your own watchlist

He

Jan 1, 1966
0h 9m
★ 5.5

Overview

Surreal film melding documentary footage of Chicago and its residents, featuring fast paced montage sequences set against a rollicking 1960s musical backdrop. The film aptly deconstructs the absurdities of contemporary American life, particularly the thick fog of patriotism engulfing the country at the time.

Genres

Documentary

He Trailers

No Trailers found.

Cast

No Cast found.

You may also like

No Image
0.0

A Ghost In The Making

Jun 24, 2016

Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?

No Image
0.0

Silversun Pickups: Behind Better Nature

Jan 10, 2016

A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.

Shadows
6.0

Shadows

Nov 9, 1960

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

Féria
5.0

Féria

Jan 1, 1961

A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...

La Rose et le Barrage
5.0

La Rose et le Barrage

Jan 1, 1963

A parallel montage of the construction of a dam in Galicia and the architecture of a small Roman-style church.

Didier Rousseau, sculptor, performance
0.0

Didier Rousseau, sculptor, performance

Jan 1, 1988

A sculptor carves and transforms himself.

No Image
9.0

Max in the Morning

Jan 1, 1965

At the microphone with Max Ferguson, radio satirist, as he creates his weekday-morning program. Filmed inside his CBC broadcasting booth, this film watches and records as Max ad-libs his way through zany interpretations of news events. His only script is the morning paper and with it he tilts at humbug with a flair that has made him a national figure.

In Between
3.0

In Between

Feb 25, 2019

In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.

The Wall
7.4

The Wall

Nov 8, 1962

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.

Life Squared
0.0

Life Squared

Jan 1, 2007

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

New York Portrait, Chapter II
7.1

New York Portrait, Chapter II

Jan 1, 1981

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Night and Fog
8.3

Night and Fog

May 22, 1956

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A 3 Minute Hug
6.5

A 3 Minute Hug

Nov 20, 2018

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

Haida Carver
9.0

Haida Carver

Jan 1, 1964

On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.

Printemps Now!
7.0

Printemps Now!

Nov 8, 2018

How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.

...dann antworten Sie mit JA!
0.0

...dann antworten Sie mit JA!

Jan 1, 1989

The film sheds light on the topic of the high divorce rate among young people in the form of journalistic statements and scenes as well as analytically reflected statements and statements of experience by sociologist Dr. Ursula Hempel, divorced and single mother of two adolescent children, and her cousin, a puppeteer who is also divorced.

Workers Leaving the Lumière Factory
6.7

Workers Leaving the Lumière Factory

Mar 22, 1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Oustaz
10.0

Oustaz

Feb 14, 2016

After the death of his Arabic teacher, an American-born filmmaker in the northern African country of Chad revisits home videos to explore the moment they started making movies together.

(tourism studies)
5.0

(tourism studies)

Aug 8, 2019

Joshua Gen Solondz assmbles footage shot around the world over the past decade and manipulates it into a blurred compendium that privileges darkness and abstraction over the picturesque to an intense, strobing degree.

Color-Blind
4.0

Color-Blind

Aug 14, 2019

A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.