A sculptor carves and transforms himself.
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"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.
A documentary about teenagers and about the time in life when infinite insecurity constantly wrangles with unbridled fantasies of immortality...
A short film made with the film end rolls of 'Du côté de la côte'.
To this day Nazis who have taken part in crimes against humanity are being persecuted. The prosecution needs to prove the guilt of the 94-year-old Reinhold Hanning who worked as an SS guard at the Auschwitz concentration camp and says that he had not a clue about what was happening within its walls. Then the 3D model of the Auschwitz as it used to be is created, and the jurors are given VR-helmets so that they can step into the Unterscharführer’s shoes and make a moral choice that he had once faced. Then they will make their own decision in real life by finding him guilty or not guilty in being involved in a hundred and fifty thousands of murders.
Shot on 16 mm and in color, Distancing documents the logistics and poetics of Miko Revereza’s decision to leave the United States and return to the Philippines.
Three Swedish living rooms, under three different stages of life.
A paraphrase on Eric M. Nilsson's film Djurgårdsfärjan from the early 1960s.
It's a misjudgment in a millisecond. The consequence is a free kick and Germany wins the World Cup match over Sweden 2018. A violent wave of hatred hits Jimmy Durmaz in social media. A year later, he lets us into his life and talks about his struggle to be Swedish and reach the top as a football professional.
A short documentary about a man on dialysis who recounts moments from his life, as well that of his brother who has a habit of cleaning after others.
The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.
Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
In a comparative study between different forms of calligraphy, the film traces parallels between modern Japanese painting and traditional Japanese writing.
This short film focuses on the job of the Hollywood screenwriter.
A story from childhood and an indelible image continue to haunt Jamie many years later.
1897 version of Annabelle Moore performing a serpentine dance.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
A loop of edgeless bend. You were its doom, he was its bloom. You were its tomb, he was its womb. You were its gloom, he was its loom. For Heaven and Hell, were words made of fume.
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