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Recalling his childhood and relationship with his mother, a film student tries to understand the origin of his love for cinema and tragedies.
In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.
The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.
Childlike imagination, naive playfulness and an enchanted view of the world are at the centre of this poetic film. The child protagonists talk about their dreams, fantasies and experiences while touching on metaphysical questions of body and soul, life and death. Magic permeates every frame of this colourful collage.
Theatre director Jan Kačena poisoned himself in 2019 by inhaling fumes and suffered irreversible brain damage. While his partner makes a film as a declaration of love, he lies unconscious. In the film, the director follows moments in the everyday lives of three people close to him: Czech rapper Tyler Durden, painter Tadeáš Pochman and film director Helena Papírníková. In a naturalistic way, it captures drug addiction, self-destructive tendencies and family problems, which are the subject of intimate, often uncomfortable conversations. The result is a diary-style probe into the fate of the artistic bohemia of late capitalism.
The author's personal confession. This essay film about the relationship between father and son is filmed exclusively in 16mm film in Prague, Slovenia, India, England and France. An important component of Brajnik's film narration is the musical composition and accompanying voiceover of the artist's alter ego.
Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.
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This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.
Stream of consciousness awakened by the shots of an inauspicious summer.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Since the 1980s, the video shop has been a desperately necessary space for film culture. In Videoheaven, Alex Ross Perry tells the story of the neighbourhood video shop to consider wider, changing social histories, using appropriated footage from the high and lowbrow.
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
The images from the landing of the first expedition of the spaceship Columbia are juxtaposed to a reflection on the function of the visual medium, and artistic creation as a whole.
A video-letter to Thomas Hoving, former director of the Metropolitan Museum of Art in New York and author of the unforgivable "Art for Dummies".
