Un uomo. Migliaia di oggetti
No Trailers found.
No Cast found.
How the spirit of unity, which buoyed Britain during the war years, carried through to create a vision of a fairer, united society.
A rock documentary, about the Mexican band Molotov, that focuses more in the political and musical context of Mexico rather than in the actual story of the band.
This documentary digs into the stories of Indigenous women and families to reclaim their Indian Status through their fight for the elimination of sex-discrimination in the Indian Act. It highlights the impacts of the law on individuals, families and communities. Since the passing of Bill S-3 and its amendments, thousands of Indigenous people are now eligible for Indian Status.
In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.
The Game of Death is a documentary co-produced by France Télévisions and Radio Television Switzerland1 in 2009 and staging a fake game show (The Xtreme Zone) during which a candidate must send electric shocks increasingly strong candidate to another until voltages that can cause death. The staging reproduces the Milgram experiment carried out initially in the United States in 1960 to study the influence of authority on obedience: electric shocks are fictitious, an actor pretending to suffer, and objective is to test the ability to disobey the candidate who inflicts this treatment and who is not aware of the experiment. The notable difference with the original experience is that scientific authority is replaced by a television presenter, Tania Young.
No overview available.
HIGH SCHOOL II is a film about Central Park East Secondary School (CPESS), a successful alternative high school in New York's Spanish Harlem, 85-95% of whose graduates go on to four year colleges. The film illustrates the school's emphasis on the “Habits of Mind” program (weighing evidence; awareness of multiple points of view; seeing connections and relationships; speculating on possibilities; and assessing values.) Sequences illustrating the school's approach to learning include: classroom activities in the humanities and sciences; family conferences; discussions of race, class, and gender; faculty meetings; disciplinary problems; sex education; conflict resolution by students; and student council meetings.
Inmates at a prison in Rome rehearse for a performance of Shakespeare's Julius Caesar.
Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.
Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.
Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.
Filmmaker Hare Brasil follows painter, public speaker and street artist Eduardo Marinho as they hit the road aboard Celestina, a worn-down and faulty Volkswagen van, for a trip across Brazil and Uruguay, where Marinho is set to give a lecture at a local University. They cross over 5000 kilometers and stop by numerous cities following an everything goes approach, with Marinho selling his work, talking to people and sharing his thoughts on life, society and everything else.
What happened to those vedettes who represented the mexican cabaret’s exotic beauty in the ‘70s and ‘80s? Four decades after the end of their roles, they tell their stories with dignity.
CHOOSING CHILDREN is a pioneering film about parenting in non-traditional families and helped to open dialogue about the meaning and reality of the "modern family." This film takes an intimate look at the issues faced by lesbians and gay men who decide to become parents after coming out.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
On September 16, 2022, in Teheran, the murder by police of the young Mahsa Amini, arrested for "wearing a headscarf contrary to the law", sparked off an unprecedented insurrection. Within hours, a spontaneous movement formed around the rallying cry: "Woman, life, freedom". For the first time, women, joined by men and students, took the initiative and removed their veils, the hated symbol of the Islamic Republic. The Iranian population, from all regions and social categories, rose up in protest. Social networks went wild. The diaspora (between 5–8 million Iranians) took up the cause, and the whole world discovered the scale of this mobilization: could the theocratic regime be overthrown this time?
What does the looming A.I. revolution mean for us as individuals and as a society?
