logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
movie poster
Island Home Country
Sign in to create your own watchlist

Island Home Country

Aug 2, 2008
0h 52m
★ 5.0

Overview

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Genres

Documentary
History

Production Companies

Anandi Films
University of Technology Sydney

Cast

Jeni Thornley

Narrator

Jeni Thornley

Rinki Bhattacharya

Self

Rinki Bhattacharya

Dur-e Dara

Self

Dur-e Dara

Jim Everett

Self

Jim Everett

Phyllis Pitchford

Self

Phyllis Pitchford

Arundhati Roy

Self

Arundhati Roy

Julie Janson

Self

Julie Janson

Julie Gough

Self

Julie Gough

Clive Atkinson

Self

Clive Atkinson

Jan Thornley

Self

Jan Thornley

Island Home Country Trailers

You may also like

Land Without Bread
7.1

Land Without Bread

Dec 1, 1933

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Rabbit-Proof Fence
7.0

Rabbit-Proof Fence

Feb 4, 2002

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

Le Temps de cerveau disponible
6.9

Le Temps de cerveau disponible

Mar 17, 2010

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

VHS Revolution
6.2

VHS Revolution

Aug 28, 2017

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

I, Pedophile
5.5

I, Pedophile

Mar 10, 2016

Pedophiles have long been the most demonized people in society, but new research is showing that understanding them is the first step in lowering instances of child sexual abuse. Meet the men born attracted to the impossible, and the maverick doctors who dare advocate on their behalf.

À nos terres : Autonomia paisana
8.0

À nos terres : Autonomia paisana

Mar 6, 2024

No overview available.

Namatjira Project
0.0

Namatjira Project

Sep 5, 2017

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

Deep Throat: When Porn Makes Its Premiere
6.4

Deep Throat: When Porn Makes Its Premiere

Jan 29, 2022

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

Julia's Stepping Stones
6.6

Julia's Stepping Stones

Jul 25, 2024

Oscar-winning filmmaker Julia Reichert reflects on the social, economic and personal forces that led to her career as a pioneering documentarian.

Midnight in Savannah
1.0

Midnight in Savannah

Jan 1, 1997

Documentary on a murder associated with members of Savannah, Georgia society. This becomes an occasion to delve into the interaction of Savannah's high life and low life in lurid detail: the mores, the eccentric residents, and the history of this coastal city.

Fuck
6.4

Fuck

Nov 10, 2006

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

The Last Becak's Sepatbor Painter
0.0

The Last Becak's Sepatbor Painter

Aug 17, 2019

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

Beautiful Something Left Behind
9.3

Beautiful Something Left Behind

Mar 16, 2020

In New Jersey, the Good Grief community focuses on a holistic way of dealing with grief, where children can give in to rage in ‘the volcano room,' and say goodbye to a dying teddy bear patient in ‘the hospital room.' Over the course of a year, we follow the weekly meetings and get close to Kimmy, Nicky, Peter, Nora, Nolan, and Mikayla and their close companion: grief. It is sometimes heartbreaking, but also humorous, to experience the questions about life and death through their open and curious minds. Grief is high and heavy as a mountain, but it helps you understand what has happened, and that death is irreversible.

Corpo Presente
0.0

Corpo Presente

Oct 31, 2024

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

God's Girls
0.0

God's Girls

Jan 1, 1992

God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.

Objectified
7.1

Objectified

May 22, 2009

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Jisoe
0.0

Jisoe

Jan 21, 2005

A year in the life of troubled Australian graffiti artist Justin Hughes.

Kurt Vonnegut: Unstuck in Time
6.8

Kurt Vonnegut: Unstuck in Time

Nov 19, 2021

A documentary 33 years in the making. A director and friend of Kurt Vonnegut seeks through his archives to create the first film featuring the revolutionary late writer.

The Dispossessed
0.0

The Dispossessed

Oct 25, 2017

An impressionistic journey that reveals the daily struggle of the hungry peasant class.

No Image Available
0.0

Four Years of Night

Aug 9, 2013

For four years (1977-1981) Esaias Baitel documented a violent Parisian neo-Nazi gang. Having gained their trust, he was able to get close to them. Living among the gang members, he witnessed horrific events, and while hiding his real identity, he photographed a one-of-a-kind collection of gripping stills. Over thirty years have passed. Esaias Baitel has laid his camera down. He returns to the dark nights he spent in the City of Lights, the city where he lived a double life, going back and forth from the gang to the young family he had just started.