The enemy is us.
Jeffery Robinson's talk on the history of U.S. anti-Black racism, with archival footage and interviews.
Trailer
Self
Self (archive footage)
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
Tilburg artist Tommy van der Loo searches for the influence of superiority thinking, racism and colour in his life. Van der Loo is an emerging artist and his work has been purchased by Boijmans van Beuningen in Rotterdam. He also had an exhibition at the Kunsthal. He also made the memorial for the abolition of slavery in Eindhoven. He has had multiple experiences with discrimination and incorporates that into his sculptures. Identity and image formation are important to him: How do you look at others, how do others look at you. The search is the inspiration for his new sculpture.
Slavery has always been part of Sudan's history, but in recent years it has become a new means in Sudanese warfare. Focuses on the moral dilemma aid organisations are faced with in Southern Sudan. For more then 17 years Africa's largest country is crippled by civil war between the Islamic North and the Christian-animistic South. Over 2 million people died during this conflict. One of its horrible consequences is the revival of slavery. Slavery has always been part of Sudan's history, but in recent years it has become a new means in Sudanese warfare.
A story that questions the shaming of the US through revisionist history, lies and omissions by educational institutions, political organizations, Alinsky, Barack Obama, Hillary Clinton, and other progressives to destroy America.
The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
A team of Romany football players try to overcome prejudice in this Czech documentary.
An illiterate mountain man, Kit Carson was fluent in Spanish and five Indian languages; he twice married Native American women, yet led a brutal war against the Navajo. When the West was a mystery to most Americans, Carson mastered it, and his expertise made him not only famous, but also sought after. Eventually, by helping to spur a migration that would change the West forever, he unwittingly became an agent in the destruction of the life he loved.
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
The film tells the story of 25-year-old Urmila Chaudary from Nepal. At the age of six she was sold by her family and was forced to work as a slave under appalling conditions for 12 years. Her dream is to end child slavery in Nepal. To this end she fights today as a freedom activist. A film about the quest for justice with a strength that gives courage and hope.
No overview available.
A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.
Examines Pulaski, Tennessee, the town where the Ku Klux Klan was founded right after the Civil War, and where today its memory still runs very deep. Combining interviews with local residents, attendees at a Klan rally and counter demonstrators; historical photos; contemporary footage; scenes of a museum exhibit of the last-known original Klan robe; and a cross burning ceremony by the Klan; the video reveals Pulaski's historical and ongoing relationship to this controversial organization. We learn how Pulaski's citizens remember and reconcile the history of the Klan, how they continue to be divided about the organization's meaning and role, and how such history remains contested for Americans.
Breaion King, a 26 year-old African-American school teacher from Austin, Texas - is pulled over for a routine traffic stop that escalates into a violent arrest. Dashcam clips intercut with verite scenes tell a story of racism in law enforcement through the eyes of one of its victims.
A documentary that reviews the numerous contributions of African-Americans to the development of the United States. From the perspective of the turbulent late 1960s, the fact that their positive roles had not generally been taught as part of American history, coupled with the pervasiveness of derogatory stereotypes, was evidence of how Black people had long been victims of negative attitudes and ignorance.
In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.
Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.
Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.
Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.
An examination of the connection between relentless government intervention since colonisation to the trauma and disadvantage experiences by Indigenous Australians - the two key drivers of incarceration.
