It's Clipping, Bitch.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
When culture vultures apply for citizenship on a new planet colonized by Black people, three judges must decide how to deal with folks who want everything but the burden.
When the apocalypse arrives, it takes the form of a biochemical virus. All social structures break down and a new world order emerges from the heart of the desert. As chaos sets in, we follow the adventures of some unlikely survivors, all searching for the elusive cure at Phoenix Point.
In the near future, when communications go offline at a remote nuclear power plant isolated in the desert, a young safety inspector, Abby Dixon, is forced to fly out to bring them back online. Once inside the facility, mysterious clues and strange behaviors cause Abby to have doubts about the sanity, and perhaps identities, of the two employees onsite.
Kaya Torres is circling a black hole in a pod, with no one coming, no one to help. She's Alone.
A dying woman participates in an experiment which makes unexpected changes to her body.
“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.
An animated visual interpretation of the song "Autobahn," by German electronic pioneers Kraftwerk. A fast-paced experimental film which proved to be a groundbreaking combination of electronic and manual animation. One of the first films produced specifically for video disk.
Two ballet dancers perform a dance enhanced with surreal after-image visuals.
Sometimes it is very difficult to distinguish dreams from reality. What is a dream? Oblivion or flight? Dream collaboration with a love that no choice could suddenly seize every Love is invisibly present in everything:. In burning candles, trembling petals, or the whisper of the wind trembling wings of a butterfly - Failure to nowhere, drop into eternity, infinity soaring - Plast problems and worries of everyday savings, suffering, expectations. But then: dive in yourself, in its essence, in its original And the gap:. dizziness, drop, hover, dive into the freshness of dew, moisture, spring - Finally: enlightenment, cleansing , clarity of thought, the joy of existence. And then, the flight again, merger and dissolution of eternity.
Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.
A mysterious epidemic spreads across the planet. Humanity develops an irrational fear of open spaces that causes instant death. Soon, the world population is trapped inside buildings. As Barcelona descends into chaos, Marc sets off on a quest to find Julia, his missing girlfriend, without ever going outside.
Sunspring is a short film about three people living in a weird future, possibly on a space station, probably in a love triangle. You know it's the future because H (played with neurotic gravity by Silicon Valley's Thomas Middleditch) is wearing a shiny gold jacket, H2 (Elisabeth Gray) is playing with computers, and C (Humphrey Ker) announces that he has to "go to the skull" before sticking his face into a bunch of green lights. It sounds like your typical sci-fi B-movie, complete with an incoherent plot. Except Sunspring isn't the product of Hollywood hacks—it was written entirely by an AI. To be specific, it was authored by a recurrent neural network called long short-term memory, or LSTM for short. At least, that's what we'd call it. The AI named itself Benjamin.
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
A sampler of six of the kitschest and coolest short films from the weird mind of George Kuchar. Fans of John Waters' work will be delighted and inspired. Includes 'Hold Me While I'm Naked' and 'A Reason to Live' plus two uncredited gems tacked on the end of the tape!
In the midst of a civil war, a soldier wakes up in a car, surrounded by fields that have become infertile. The vehicle's driver, who had returned from the front a few days earlier, shared his doubts about the conflict with him. This journey would be a way for the soldier to finally reflect on his actions and then briefly connect with a forgotten past. At the end of the road, he will find the horror of his mission.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.
Ian Haig’s The Foaming Node essays the discovery and emergence of new bodily organs in meticulous and captivating detail. We follow the last remaining observers, members of a cult of sorts, who have experienced both the transmissions of The Foaming Node, and their own personal and strange bodily transformations. They discuss exactly how the changes associated with The Foaming Node have affected them, telling fascinating, visceral, detailed tales that reach beyond science, alternative medicine, and corporeality.
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.
Rainbow Dance is a 1936 British animated film released by the GPO Film Unit. This is Lye's second film. It uses the Gasparcolor process.
Antony Balch tackles key themes and ideas from the writing of William S. Burroughs in a unique, cinematic style.
No Trailers found.
