Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.
Self (voice)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
Say Om as you reach home only to realize you never really left/stopped saying Om.
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.
In her feature documentary Seguridad, Newfoundland-based filmmaker Tamara Segura—once named “Cuba’s youngest soldier” in a militia publicity stunt—portrays her troubled relationship with her father in the context of the Cuban Revolution. When Segura accepts a scholarship to study film in Canada, the move offers crucial distance from her alcoholic father. After four years, she returns to Cuba hoping to make amends. But her father’s sudden death just days after her arrival forces Segura to explore his troubled past and the role Cuba’s highly militarized system played in his downfall. Through a series of deeply personal on-camera interviews with her immediate family, Segura unearths long-held secrets that ultimately tell a story of resilience and profound love between family members. Seguridad artfully weaves a lifetime’s worth of still photographs into its intimate narrative, which offers a rare glimpse into the inner lives of Cubans in the post-revolutionary era.
Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.
Heroic Struggle in Snow and Ice is a 1917 Austro-Hungarian propaganda newsreel film produced by Sascha-Film for the Imperial and Royal War Press Headquarters. The film is hand-colored and presented in two parts. It depicts the fighting on the Alpine Front between Italy and Austria-Hungary.
No overview available.
The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.
This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.
A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.
Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.
Filmed during Jonas Mekas’s travels through Italy in 1967, this short captures scenes from the country’s cities and countryside. The footage was later included in his 2003 compilation film Travel Songs (1967–1981).
The second entry in Velu Viswanadhan's series of experimental documentaries. This film traces the Ganges river upstream.
Lázaro Escarze, an 87 years old revolutionary Cuban man, lives in a small village and will have his phone installed for the first time in his life. To whom will he call?
A man steadily bashes through the snow. He disappears and the trees, covered in white, shift and show a beautiful array of hidden colors. A poetic, meditative short film about letting go of the past and embracing the unknown future.
A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.
No Trailers found.
