The Architecture of Doom

Oct 13, 1989

1h 59m

★ 7.2

The Nazi philosophy of beauty through violence

Overview

Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.

Genres

Documentary

Production Companies

Poj Filmproduktion AB

SVT Drama

Sandrews

Svenska Filminstitutet

The Architecture of Doom Trailers

No Trailers found.

Cast

Swedish narrator (voice)

Rolf Arsenius

German narrator (voice)

Bruno Ganz

French narrator (voice)

Jeanne Moreau

English narrator (voice)

Sam Gray

In February 1939, more than 20,000 Americans filled Madison Square Garden for an event billed as a “Pro-American Rally.” Images of George Washington hung next to swastikas and speakers railed against the “Jewish controlled media” and called for a return to a racially “pure” America. The keynote speaker was Fritz Kuhn, head of the German American Bund. Nazi Town, USA tells the largely unknown story of the Bund, which had scores of chapters in suburbs and big cities across the country and represented what many believe was a real threat of fascist subversion in the United States. The Bund held joint rallies with the Ku Klux Klan and ran dozens of summer camps for children centered around Nazi ideology and imagery. Its melding of patriotic values with virulent anti-Semitism raised thorny issues that we continue to wrestle with today.

0.0

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6.3

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10.0

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0.0

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No Image Available

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No overview available.

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7.0

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0.0

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Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

6.6

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0.0

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Markus Meechan is a criminal. Guilty of posting a YouTube video judged “grossly offensive” and containing menacing, anti-Semitic and racist material. He claims the video was a joke. Others claim, Markus is a Nazi. But what does the prosecution of a YouTube comedian mean for freedom of expression – is a censorious state overstepping the mark? Or are there some things you just shouldn’t joke about?

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0.0

Ekodomy aneb Život v rovnováze

Sep 21, 2008

No overview available.

6.6

White Terror

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A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.

6.9

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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

6.7

Olympia: Part Two – Festival of Beauty

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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

The Architecture of Doom

Overview

Genres

Production Companies

The Architecture of Doom Trailers