‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
Featuring the pioneers of techno music Juan Atkins, Derrick May, Carl Craig, and Jeff Mills, Never Stop takes us into the fascinating universe of techno labels in Detroit. This film highlights the deep roots of the creation, more than thirty years ago, by each of the African-American pioneers of techno music, of their own record labels.
Directed by Nino Ramos, & Produced by Screamin' Rachael. "The House That Trax Built" takes a look into the History of Trax Records, the iconic label that is the original home of House Music.
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.
Explores the life and innovations of composer and electronic music pioneer Suzanne Ciani.
Fourth in the IMA Portraits series, this short introduces us to the life and work of electronic/contemporary composer Eliane Radigue. Radigue discusses methods of composition, the challenges and difficulties of live electronic music, as well as biographical episodes with Pierre Henry and her own goals in soundscape production and consumption.
A musical documentary and tribute to Hugh Le Caine. The story of early electronic instruments, and the nearly forgotten Canadian music pioneer who created the first synthesizers. As told through interviews with three modern-day modular synth musicians.
COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay. http://www.coocuyo.com/
Rave Culture is one of Britain’s great cultural exports, but after its first wave in the late eighties and early nineties, it was soon forced into the underground by stringent new laws and superclubs. But forward 25 years into in the midst of a nationwide purge on the nation’s nightlife, where nearly half of all British clubs have shut down in the last decade, and a new kind of scene has emerged. Clive Martin investigates this 21st century version of Rave, where young people break into disused spaces with the help of bolt-cutters and complicated squatting laws, to suck on balloons and go hard into the early morning. But with the police using increasingly extreme tactics to clamp down on these parties, and more than one fatality causing nationwide media panic, can the scene survive?
Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.
Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.
Quite simply the finest theremin player who has ever lived, Clara Rockmore began her performing life as a violin prodigy at the age of 5 years old, still the youngest person ever admitted to the prestigious Imperial Conservatory of Saint Petersburg where she studied under the great Leopold Auer. Due to childhood malnutrition causing bone problems in her teen years, she was forced to give up the violin and moved to New York City in the mid 1920's where she met and became involved with Russian electronics genius Leon Theremin and helped him to refine and perfect his new instrument, giving advice from the standpoint of a musical performer to make the theremin more playable and developing her own hand techniques and exercises for playing the instrument.
40 years after he last played the Wembley Arena, Gary Numan staged the comeback of a lifetime. Follow Numan on his road back to Wembley and follow his turbulent careers, from the crushing lows to the exhilarating highs.
Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.
A documentary of Chicago Footwork and Juke scene. "In spring 2012 We went to Chicago to document the Footwork Scene. When we got home and started reviewing the footage we realised we had just filmed our first full length documentary. A scene ingrained in the lineage of the City itself, filled with effervescent dancers, storytellers and beatmakers. It was singlehandedly the most unique and in-depth tour we had ever experienced. Featuring key players on the scene, such as DJ Rashad, DJ Spinn, Manny, Traxman & Arpebu. The team navigated through the Windy City living with the GHETTOTEKNITIANZ of Teklife. They slept on floors, sofas and in dodgy motels with their charming hosts. All the while managing to obtain un-seen footage from the finest Producers, Footworkers and the good people of Chi-Town. It’s taken our team a long and painstaking while to put this together. We hope to do the people who shared their homes, talent and ultimately their lives with us, proud."
A gentle love story from the harsh environment of northern Bohemia.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
Japanese two female singer-songwriters, Kazumi Nikaido (also known as Nika Soup) and Saya Source (of Tenniscoats, Maher Shalal Hash Baz). Nika is known for her chameleon-like ability to transform her voice, while Saya has a melancholic and straightforward singing style. Both have distinct voices that can be identified immediately, but when they sing in unison, they create melodies that are truly sublime. They have released charming album IPIYA (2005) features playful pop songs reminiscent of nursery rhymes, repetitive mantra-like tracks. The two went back and forth from their homes in Hiroshima and Tokyo to create beautifully diverse songs for this record. This is the documentary of "how" and "why" and also "where" they had made the very original music. Many interviews, rehearsals, free sessions, live performances are included. There is a childlike innocence to this documentary, and offers a peak into the unique world of how they make music.
Commentary (voice)
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