Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.
Self
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Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
On September 1, 2001, Irish rock band U2 made a triumphant return to their roots with two outdoor shows at Slane Castle, Ireland. U2 chose the castle venue because it marked two watershed moments for the band: their recording session for the landmark album THE UNFORGETTABLE FIRE in 1984, and their first Slane appearance opening up for fellow Irish rock band Thin Lizzy in 1981. U2 GO HOME captures the emotional intensity of the homecoming with 19 live tracks culled from the concerts.
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Queen Elizabeth I visits late 1970s England to find a depressing landscape where life has changed since her time.
This documentary film focuses on the rapidly growing modular synthesis movement, the diverse artists creating soundscapes of emotionally charged content, and the developers pushing the boundaries of sonic invention with their community driven creations. Capturing this immediate creative vision and personal process from patch to pulse will be the journey we share.
In the 1980s there was a punk band in Stockholm who put out one single, got torn apart by local music critics and went away. 35 years later they are contacted by a music label from New York interested in their music.
Recorded at the breathtakingly beautiful Red Rocks Amphitheater in Colorado in 1983, this concert features Irish rock sensation U2 and front man Bono in their early glory days. Including five previously unreleased songs and a director's commentary.
The Smile, the new group comprising Radiohead's Thom Yorke and Jonny Greenwood and Sons Of Kemet's Tom Skinner, played three consecutive live shows within twenty-four hours at Magazine London, in the heart of London's Docklands, on January 29 and 30.
1. Show Opening 2. Zoo Station 3. The Fly 4. Even Better Than The Real Thing 5. Mysterious Ways 6. One 7. Unchained Melody 8. Until The End Of The World 9. New Year's Day 10. Numb 11. Angel Of Harlem 12. Stay (Faraway, So Close!) 13. Satellite Of Love 14. Dirty Day 15. Bullet The Blue Sky 16. Running To Stand Still 17. Where The Streets Have No Name 18. Pride (In The Name Of Love) 19. Daddy's Gonna Pay For Your Crashed Car 20. Lemon 21. With Or Without You 22. Love Is Blindness 23. Can't Help Falling In Love U2 had been a major entity in the rock music world for many years by the time they released the ACHTUNG BABY album. Yet, it was this album that brought the band from popular rock act to multimedia force as their concerts began to include the video screen as an important part of the show. Following ACHTUNG BABY was the ZOOROPA album and one of U2's most successful tours, the Zoo TV Tour, in which the multimedia experience was expanded upon.
The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.
New Order's Stephen Morris and Gillian Gilbert unpack a playlist of electro, pop and new wave classics spanning four decades. Stephen and Gillian have been married for 24 years and have been in New Order together for even longer, but they still manage to surprise one another with their musical tastes. While Stephen declares Captain Beefheart an early influence, Gillian confesses her teenage love for a disco classic. During an hour of top tunes, Stephen also reveals the moment he was mistaken for Stevie Wonder, and Gillian recalls how her Dad was a fan of punk. From Kraftwerk to Can, David Bowie to Kate Bush, Magazine to Grace Jones and many more, this stellar playlist by Stephen and Gillian is brimming with iconic performances.
The film details an entire live performance from Devo's 1996 reunion tour with Lollapalooza, opening for Metallica. The band performs a stripped down set consisting of songs from their first three albums, filmed at Irvine Meadows, California.
A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".
A live concert documentary on the popular electronic music festival.
The Concerts in China was a concert tour by Jean Michel Jarre, notable for marking the opening of post-Mao Zedong China to live Western music, in 1981. Five concerts were held in the two biggest cities, for an estimated audience of 120,000 spectators, on October 21 and 22 in Beijing, and on October 26 through 28 in Shanghai.
Public Image Ltd. promo VHS video compilation 1978-86. Includes Rise, Public Image, Death Disco, This is Not a Love Song, Bad Life, Home
Prague, 1983. The communist regime, in a suffocating atmosphere ruled over by the secret police, imposes "normalization". Miki and David need some kind of motivation to carry on in the communist wasteland. They discover The Clash's album 'London Calling' and, of course, decide to set up a punk band. But playing punk during normalization in Czechoslovakia isn't the best idea, an opinion shared not only by their horrified parents. Many decisions made under the influence of cheap alcohol and compulsive music could be more fatal than they initially seemed. A story about the revolt of some 18-year-olds against authority, against social norms, against adult duties and responsibility. It is about the search for one's own models and values. Although based on personal experiences from the early 1980s, it could have taken place at any time and anywhere, and is more than likely taking place somewhere right now.