Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
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Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.
Ruído das Minas was produced by journalists Filipe Sartoreto, Gracielle Fonseca, and Rafael Sette Câmara as a graduation project in Social Communication at Universidade Federal de Minas Gerais (UFMG). The film gained visibility after being screened at the first IN-EDIT Brazil International Music Documentary Festival in June and July 2009, in São Paulo and Rio de Janeiro. This exposure led to an invitation from MTV Brasil, and the documentary was later broadcast as part of the channel’s Doc.MTV programming block, dedicated to music documentaries. Heavy guitars, long hair, crosses, and demons: heavy metal from Minas Gerais became one of Brazil’s most influential scenes. Belo Horizonte gave rise to bands such as Overdose, Sarcófago, and one of the biggest metal acts in the world, Sepultura. Ruído das Minas tells this story through the voices of those who lived the early days of heavy metal in the state capital firsthand.
In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.
Gorbals, Glasgow. A caterpillar crosses the road unnoticed by anyone. Four stories pass within millimetres of its life.
During the reconstruction of the Valmiera Theatre building (2021-2024), artistic activities were never interrupted - the preparation of new productions and performances in the Round Hall continued. The promised one winter of patience turned into three. Rehearsals and performances took place in various locations in Valmiera, but the theatre building, despite the lack of water and heat, was never abandoned - with construction crews, through the dust and cold, actors and other theatre staff went to the rehearsal hall, the Round Hall, the carpentry workshop, and the administration to work as if nothing were unusual or difficult.
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