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Based on the life of a legendary capoeira fighter from Bahia, "Besouro" spins a fantastic tale of a young Brazilian man of African descent in search of his mission.
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
The documentary that began together with Mestre Môa do Katendê before his political murder, tells the life story of this capoeirista and founder of Afoxé Badauê, intertwined with the rise of black cultural manifestations in Bahia, based on a last interview left by him.
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Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Luciano Candisani, award-winning Brazilian photographer, returns to the Pantanal, the world’s largest floodplain, to document its biodiversity and raise awareness about severe environmental threats. The region faces drastic water flow changes and unprecedented fires, yet Candisani finds hope and resilience amidst the challenges.
A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.
As beautiful and sleek as it is deadly, 52 Blocks merits special conservation efforts as the United States' only existing native martial culture, as it is indeed, the jazz of the martial arts world. Across the African diaspora, there are manifestations of African-derived warrior-dances, capoeira in brazil, mani in Cuba, ladja in Martinique, pinge in Haiti- yet the US offshoot has remained esoteric, because it was suppressed throughout slavery, Reconstruction and Jim Crow and then obscured in the criminal justice system. The history, interviews and training of the martial arts style that created Breakdance and boxing greats like Mike Tyson.
The year is 20XX and the machines reign supreme. In a distopic future where humans are hunted and subjugated by living cameras, a cientist sends an agent to the past, in a desperate attempt to revert the apocalypse and save humanity from its cruel fate.
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.
Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.
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