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Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
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Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.
In the morning after the night they met, Alana and Laís talk on the phone about what that night meant to each of them.
A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.
In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.
Hockney talks about his 40 year love affair with photography.
Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.
To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.
A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.
