Extremely rare Cuban documentary reveals rockers that find liberty by injecting themselves with the HIV virus, at a time when this was almost synonymous with a death sentence.
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Having grown up within the Cuban Revolution, in 1980, Juan Carlos Zaldívar was a 13-year-old "pioneer" jeering in the streets at the thousands of "Marielitos" leaving the island by boat for the United States. Within weeks, he was a Marielito himself, headed with the rest of his family for a new life in Miami. Now a U.S.-based filmmaker, Zaldívar recounts the strange twist of fate that took him across one of the world's most treacherous stretches of water in 90 Miles, a new documentary having its broadcast premiere on PBS's acclaimed P.O.V. series in the summer of 2003. As related by Zaldívar in the intensely personal and evocative 90 Miles, arrival in South Florida is only the beginning of the family's struggles to comprehend the full meaning of their passage into exile. What follows is an intimate and uneasy accounting of the historical forces that have split the Cuban national family in two, and which shape the passage of values from one generation to the next.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Through interviews with key AIDS Healthcare Foundation (AHF) stakeholders from over the years coupled with archival video footage culled from AHF's 30 years of advocacy, care and activism, 'Keeping the Promise' tells a compelling story of AHF's history while offering a glimpse of, and road map to its future.
A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.
One of the earliest documentaries to deal with AIDS.
For seven years, award-winning Chinese-American filmmaker Nanfu Wang follows Rosa María Payá, daughter of the five time Nobel Peace Prize nominated activist, Oswaldo Payá, in Rosa's fight for democratic change in Cuba. Rosa's narrative is interwoven with Wang's poignant reflections on her Chinese upbringing and her observations of eroding democratic norms in the U.S., revealing unsettling similarities to the authoritarian system she left behind.
Half blind and half deaf, ostraziced Cuban writer Rafael Alcides tries to finish his unpublished novels to discover that after several decades, the home made ink from the typewriter he used to write them has faded. The Cuban revolution as a love story and eventual deception is seen through the eyes of a man who is living an inner exile.
The notion of a Cuban civil society is often misrepresented in the U.S. mainstream media. According to most sources, Cuban civil society is limited to the opposition, which has little impact on the Cuban political scenario. Regardless, yearly, the U.S. government allocates tens of millions of taxpayer money to empower dissidents in the island. By doing so, it overlooks genuine expressions of pluralism, reform and contestation which are shaping the Cuban public sphere, sometimes in autonomous ways, sometimes within State-run institutions. Through in-depth interviews to members of Cuban Civil society, this documentary explores the complexities associated to these processes, following the itinerary of the debate about the concept of civil society generated in Cuba, since the 90s to the present.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
When the U.S. trade embargo left Cuba isolated from medical resources, Cuban scientists were forced to get creative. Now they've developed lung cancer vaccines that show so much promise, some Americans are defying the embargo and traveling to Cuba for treatment. In an unprecedented move, Cuban researchers are working with U.S. partners to make the medicines more widely available.
These are strange times indeed. While they continue to command so much attention in the mainstream media, the 'battles' between old and new modes of distribution, between the pirate and the institution of copyright, seem to many of us already lost and won. We know who the victors are. Why then say any more?
The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.
This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.
A film about dreams and ambitions in the Belarus through the eyes of the younger generation. An insight into the recent history of Belarus and the growing movement for change in 'Europe's last dictatorship'.
