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An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.
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On the 60th anniversary of the October Revolution, street surveys and interviews with citizens of the Federal Republic of Germany provide information about what they know and think about this event.
Chronicling the single-afternoon gathering (June 4, 1967) of 11 American athletes and a politician. Meeting in Cleveland, Ohio, to have a discussion with Muhammad Ali about his refusal to enter the Vietnam War draft.
A skeptical glance cast upon the Christian, pagan and scientific opinions on the supernatural. One has to decide which is right and which is wrong, if any. A film dedicated to the bad taste and naivety everywhere.
Trevor spends a week away from home to spend some time writing and hiking.
Documentary about the life of the indigenous people in the Andes and in the slums of Lima, and of their religiosity.
Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.
The film depicts a young male beaver who must defend his new family against hungry predators, mischievous river otters, and the ever-impending threat of winter.
Shot in four days during the 1968 National Rodeo Finals in Oklahoma City, this lyrical documentary takes you inside the arena atop a 2800 lb bull. Watch Freckles Brown, a legendary cowboy, conferring with a young Larry Mahan, the previous year's champion and see crowd favorite Myrtis Dightman trying to hold his own in a dramatic ride. "Rodeo" shows the classic struggle of man against beast, a matter of life and death. Dick Rosmini's hypnotizing folk-fusion soundtrack and an intricate sound mix add to the climatic result.
Footage of the aftermath of the January 14 1931 earthquake in Oaxaca, Mexico.
Golf expert Bobby Jones arrives on the golf course to join actors James Cagney, Anthony Bushell, Donald Cook, Evalyn Knapp, and Louise Fazenda in shooting a golf instruction film. Louise Fazenda however has no knowledge of golf and her ongoing commentary disrupts Jones's attempts to practice. While Cagney and Bushell hold Louise's mouth shut, Jones demonstrates his approach to golf. Later, upon arrival of director George Marshall, Louise is sent off "to practice" alone while the cast and crew go about shooting the film.
A symphony of found footage scenes, each shot loosely connected to the one before.
Angelic and demonic serpentine dance from dawn of cinema. Hand-colored frame by frame. Lumière no. 765 or 765.1 (colorized, different dancer?).
The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)
A short film containing a collection of clips from various Hollywood movies.
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