A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
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Himself
Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
Along with several courageous psychiatrists and their clients, the author sets out to film a documentary road movie that takes him to Switzerland, Europe, and the U.S. On their travels in mobile homes, they explore the depths of the human psyche in search of answers to the question: What is the human mind and how does it behave in psychotic extreme situations?
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
The Parténope is a baroque opera directed by the prestigious opera and theatre director, Gustavo Tambascio. This documentary tells the story of the preparations and premieres in various cities of this production, which won the Campoamor prize for the best lyric production of the year.
Although Domingo was younger and Banackova looked more like the sweet and innocent young Madalena than the one played by Tomowa-Sintow in the ROH production, this production was not as good. It was not as tight and neat. The tempo set was far too slow for the time-period of the story. The stage setting was distracting. The lighting was too dark. Except Domingo, a natural actor who was always into his role and sings and acts with passion, none of the other performers came up with a convincing portrayal of the role he/she played.
“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.
Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.
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Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.
Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.
A touching and delicate portrait of four remarkable Ethiopian women, struggling with the poverty and insecurity of urban life in Addis Ababa.
This documentary follows Swiss improvisation musicians and tells their stories.
