“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
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Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.
An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.
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A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
Along with several courageous psychiatrists and their clients, the author sets out to film a documentary road movie that takes him to Switzerland, Europe, and the U.S. On their travels in mobile homes, they explore the depths of the human psyche in search of answers to the question: What is the human mind and how does it behave in psychotic extreme situations?
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.
In Protestant Zurich, people with money avoid flaunting it. Wealth fascinates, but it also arouses jealousy. Four wealthy Zurichers are in search of happiness: one man unexpectedly inherits a large sum of money; he tells no one about it and indulges in a luxury: he finally takes the time to live. For religious reasons, a woman from an old Zurich family renounces her possessions and inheritance. A "self-made" entrepreneur is constantly expanding his international business and living the good life. A welfare recipient relives, with mixed feelings, the days when money flowed freely. For years, he has been fighting a bank to repossess his fortune.
