Scenes from a production of The Diary of Anne Frank are combined with footage of young Palestinians talking candidly about war, first love and topics that Frank wrote about as a teenager.
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An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.
Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
A poignant, sometimes sad, sometimes painful, sometimes humorous, often absurd story of a multiple journey: the journey of loss as the director’s mother Aida struggled with losing herself to Alzheimer’s disease, but finding solace in her repeated “returning” to the Yafa and Palestine of her youth; the journey of the loss of a parent; and the ultimate return journey back to Yafa where Aida would finally find rest and be herself once more.
Three new films featuring the biggest climbing and adventure stories of the year: ADN - SEB BOUIN: 29-year-old French sport climber Seb Bouin quietly climbed the elite ranks, culminating in his attempt to establish a long slope in a cave overhang in the Gorges du Verdon in France / CLIMBING RESISTANCE: In the hills torn by the Palestinian conflict, young Palestinians embrace rock climbing as a necessary respite from the oppression of the occupation Israeli. American writer and climber Andrew Bisharat visits the West Bank to explore his own roots and the power of climbing to transcend existence / BURNING THR FLAME: Big wall free climbing masters Babsi and Jacopo seek their most Biggest challenge so far: a free ascent of "Eternal Flame", a 3,000 foot route on the legendary Nameless Tower in Pakistan's Karakoram Range.
Twelve Palestinian women sit before us and talk of their life before the Diaspora, of their memories, of their lives and of their identity. Their narratives are connected by the enduring thread of the ancient art of embroidery. Twelve resilient, determined and articulate women from disparate walks of life: lawyers, artists, housewives, activists, architects, and politicians stitch together the story of their homeland, of their dispossession, and of their unwavering determination that justice will prevail. Through their stories, the individual weaves into the collective, yet remaining distinctly personal. Twelve women, twelve life-spans, and stories from Palestine; a land whose position was fixed on the map of the world, but is now embroidered on its face.
Israeli director Natalie Assouline chronicles the lives of women, mostly young mothers, in prison for involvement in failed suicide attacks/terrorists attacks in Israel. Filmed over two years, this portrait strives to unearth the motivations behind their crimes. With the women's heads and feelings firmly covered, the film reveals no answers, just the heart-breaking tension between humanity and ideology.
2003 documentary film produced by Oliver Stone for the HBO series America Undercover about the conflict in occupied Palestine. He speaks with Ehud Barak and Benjamin Netanyahu, former prime ministers of Israel, Yasser Arafat, late president of the Palestinian National Authority, and various Palestinian activists resisting the oppression of the zionist regime.
18-year old Norwegian artist Wenche Myhre travels to Rafah in Gaza to open a children's clinic that she financed.
The movie follows Rajai, a Ford Transit driver which is the most popular transportation in the Palestinian occupied territories (occupied by Israel). While taking a ride with Rajai, we experience the frustrating situation the Palestinian need to deal with. On our trips from the roadblock in Ramallah to the roadblock in Jerusalem, we get to hear analysis of the situation by all kinds of random transporters, people from different religions, origins, and levels of class.
Where Olive Trees Weep offers a searing window into the struggles and resilience of the Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice.
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