A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
Before Aleppo's fall, Syrian/Norwegian director Nizam Najar explores the inside of the war. To him one of the reasons the rebellion has failed, stems from the Syrian society itself.
Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of being a policewoman, wearing a uniform, avoiding marriage, and earning a salary. Despite discouragement from her family, Walaa applies - and gets in. But her own rebellious behavior and a complicated relationship with her mother are a challenge, as are the circumstances under which she lives. Following Walaa from 15 to 21, this first-ever look inside the Palestinian police academy brings us the story of a young woman navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
DRONE is a documentary about the covert CIA drone war. Through voices on both sides of this new technology, DRONE reveals crucial information about the drone war in Pakistan and offers unique insights into the nature of drone warfare.
This film deals with the atrocities of war as portrayed by a film student who spends some time working as a medic. One of the duties he performed was to carry amputated limbs to the cremation furnace. This is a film about the collective madness that engulfed Sarajevo. A one-armed boy is troubled because he can't make big, firm snowballs; a man who lost both legs demonstrates walking on his stumps... The film and the director's story help us understand the commotion and tumult that have occurred in the minds of Sarajevans.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
Pray the Devil Back to Hell chronicles the remarkable story of the Liberian women who came together to end a bloody civil war and bring peace to their shattered country.
While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.
In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel - the first Muslim Arab to win Israel's MasterChef - is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.
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Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A music festival symbolizing peace, freedom, and eternal love transforms into a horrifying nightmare of terror. Survivors, marked by death and trauma, reconstruct the event through their perspectives, embodying the lost innocence and beauty of youth, forever scarred by the tragic events that unfolded. This is a horrifying glimpse through the eyes of the individuals who endured the brutal October 7th onslaught at the Nova Music Festival.
This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.
Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
The story of the biggest demonstration in human history, which took place on 15th February 2003, against the impending war on Iraq.
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
A film essay by Asher de Bentolila Tlalim, an Israeli filmmaker living in London, GALOOT ("Exile" in Hebrew) is an extended meditation on the Israeli-Palestinian conflict through the eyes of those living at a distance. Through international visits (London, Israel, Morocco and Poland) and dialogue-with Palestinian refugees, the new immigrants to Israel who now occupy their homes, the current occupants of his family's former house in Tangiers, the residents of the former village of his wife's family in Lisensk, a scientist, a jazz musician, and others-the filmmaker explores the position of exile, with its unique pain and perspective on what others may be too close to perceive.
2010 documentary film on the Armenian Genocide by the Young Turk government of the Ottoman Empire during World War I. It is based on eyewitness reports by European and American personnel stationed in the Near East at the time, Armenian survivors and other contemporary witnesses which are recited by modern German actors.
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Self - Narrator (voice)
