logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
movie poster
Now Eat My Script
Sign in to create your own watchlist

Now Eat My Script

Jan 1, 2014
0h 23m
★ 0.0

Overview

"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."

Genres

Documentary

Cast

No Cast found.

Now Eat My Script Trailers

No Trailers found.

You may also like

Every Ambulation a Betrayal
10.0

Every Ambulation a Betrayal

May 23, 2017

Return to 'burn' only to find out you're already in that urn.

Symbiopsychotaxiplasm: Take One
7.0

Symbiopsychotaxiplasm: Take One

Oct 28, 1968

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

The Mind and the Crime
7.5

The Mind and the Crime

Jan 1, 1961

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

Water from The Tremulous Stream
0.0

Water from The Tremulous Stream

Oct 14, 2021

A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.

Blow Job
4.2

Blow Job

Jul 16, 1964

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

Your Ecstatic Self
0.0

Your Ecstatic Self

Feb 17, 2020

Your Ecstatic Self is a conversation unfolding in a car with Sajid, the artist’s brother. As the journey progresses Sajid discusses his engagement with the philosophy and practice of Tantra, having spent the majority of his 44 years as a strict Sunni Pakistani Muslim. Placing the idiosyncrasies of western fetishism towards eastern philosophical traditions alongside cultural orthodoxies and ancestral knowledge, Your Ecstatic Self takes up multifaceted expressions of desire, intimacy and sexual agency.

Claudette's Star
4.3

Claudette's Star

Dec 5, 2019

Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.

Straits of Magellan: "Drafts and Fragments"
7.0

Straits of Magellan: "Drafts and Fragments"

Feb 13, 1974

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).

Living in the World
0.0

Living in the World

Jan 1, 1985

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

Suena la trompeta, ahora veo otra cara
0.0

Suena la trompeta, ahora veo otra cara

Jan 1, 2007

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

París #1
4.0

París #1

Jan 1, 2008

A group of friends share a cinematographical experience in a particular region of Spain, Galicia. The goal is simple: to film what they like, without preconceived ideas about what should be filmed. They want their images to reflect the feelings that unite them with the people they find along the way.

C-Film
6.5

C-Film

Jan 1, 1970

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Lake
0.0

Lake

Dec 30, 2019

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'
8.1

Home Movie: On the Set of Philippe Garrel's 'Le lit de la vierge'

Dec 31, 1968

An experimental and poetic portrait of a woman.

No Image Available
0.0

One Half of Wealth for One Half of Beauty

Jan 1, 1994

Anything that complies with standards is a wasted effort to Vlado Kristl: 'I believe in only doing those things that decompose and tear conventional systems apart.' Kristl's métier are borderlines. His paintings and animated films are interspersed with clear dividing lines, only for him to blur and mess them up. His graphics are scribbled over and over again until the whole surface becomes black. His oil paintings, unless someone buys them in time, are painted over and over again. He destroys any form that begins to grow. -Thomas Brandlmeier

Document 6.15
0.0

Document 6.15

Sep 1, 1961

Experimental film by Motoharu Jonouchi comprised of both archival footage from the 1960s Japanese student riots and dramatised re-enactions. It was created as a tribute to Michiko Kamba, a student victim of the riots.

Decasia: The State of Decay
6.4

Decasia: The State of Decay

Jan 24, 2002

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

Almost Nothing: So Continues the Night
6.5

Almost Nothing: So Continues the Night

Sep 30, 2017

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

Congo
5.8

Congo

Jan 1, 1972

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

60 Seconds of Solitude in Year Zero
3.8

60 Seconds of Solitude in Year Zero

Dec 22, 2011

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.